My Fair Lady Musical - Presented by Valley Christian School Missoula

Summary

Valley Christian School Missoula has brought the timeless classic 'My Fair Lady' to life with a vibrant performance filled with music, wit, and transformation. This production, helmed by Pathfinder Creative, stays true to the spirit of the original, capturing the comedic and profound journey of Eliza Doolittle and Professor Henry Higgins. The narrative unfolds with Eliza's struggle and triumph in learning to speak like a lady, reflecting on identity and societal norms with a humorous undertone. The cast delivers energetic performances that bring out the charm and satire deeply embedded in this cherished musical.

Highlights

• Eliza's journey from a flower girl to a poised lady is captured brilliantly, delivering both laughs and heartfelt moments. 🎤
• Professor Higgins' humorous yet pivotal guidance showcases the transformative power of language. 📚
• The musical numbers are lively and enchanting, particularly 'I Could Have Danced All Night.' 💃
• Moments of comedy interspersed with deeper themes of identity and transformation keep the audience engaged. 🎭
• The ensemble cast adds depth and vibrancy, enhancing the storytelling with their spirited performances. 🌟

Key Takeaways

• The charm of 'My Fair Lady' is timeless and universal! 🎭
• Valley Christian School's production adds a fresh energy to the classic tale. 🎶
• Eliza's transformation is both comedic and touching, reminding us of the power of language and self-belief. 🌟
• The comedic dialogue remains a highlight, showcasing the wit of the original script. 😂
• A wonderful interpretation by young performers that maintains the essence of the musical! 🌷

Overview

Valley Christian School's rendition of 'My Fair Lady' is a delightful treat, capturing the essence of this beloved musical. The story, anchored in the transformation of Eliza Doolittle under the tutelage of linguistics professor Henry Higgins, is both humorous and poignant. It challenges notions of class and identity while being rooted in wit and charm.

The production is filled with memorable musical performances, highlighting the comedic and emotional journey of its characters. Songs like 'The Rain in Spain' and 'I Could Have Danced All Night' are not only beautifully rendered but also serve as pivotal points in the character development. The youthful energy of the performers adds a refreshing take on the classic roles, making the experience engaging for all age groups.

With a mix of slapstick humor, clever dialogue, and thoughtful exploration of societal themes, this performance stands out as a unique adaptation. The talented young actors deliver their roles with enthusiasm and skill, ensuring that the audience is both entertained and moved by this timeless musical. Valley Christian School has managed to create a production that delights and resonates, keeping the magic of 'My Fair Lady' alive.

Chapters

• 00:00 - 05:00: Introduction and Opening Scene The chapter opens with an engaging musical score and lively applause, setting an energetic and celebratory tone.
• 05:00 - 15:00: Eliza Doolittle's Encounter with Professor Higgins In the chapter titled 'Eliza Doolittle's Encounter with Professor Higgins,' Eliza, while selling violets, meets Professor Higgins, a phonetics expert. This encounter, marked by an accidental meeting in the muddy streets, sets the stage for their future interactions where Higgins will play a crucial role in transforming Eliza's life.
• 15:00 - 25:00: Eliza's Transformation Begins Eliza, a determined and outspoken flower girl, confronts an upper-class family after their son, Freddy, accidentally ruins her flowers. She is assertive and demands compensation, showing her strong character. This incident marks the beginning of her transformation and interaction with the higher society.
• 25:00 - 35:00: Eliza at Ascot and Her Social Blunder In this chapter, Eliza finds herself at the prestigious Ascot, a renowned social event, where she inadvertently creates a social blunder. The interaction begins with an encounter involving a captain and a flower salesgirl, revealing Eliza's candid and unpolished mannerisms. Despite not having any change to buy a flower, interactions continue with offers to break a larger coin and eventually, a small sum is exchanged.
• 35:00 - 45:00: The Embassy Ball and Eliza's Triumph Eliza is involved in a misunderstanding with a gentleman in public, leading to her defending her reputation. She reassures the gentleman that she never spoke to him except for offering to sell him a flower. Amidst the chaos and noise, she pleads for him not to press charges, fearing that her character would be tarnished and she would be driven off the streets. This moment highlights Eliza's vulnerability and the precarious nature of her social standing.
• 45:00 - 55:00: Eliza's Crisis and Confrontation with Higgins This chapter focuses on Eliza, who is in a state of distress and confrontation with Higgins. The excerpt begins with Eliza expressing frustration, she tells someone to shut up and questions if she appears like a policeman. She is anxious about what has been transcribed about her and demands to see the writing. When offered to read the script, she struggles, labeling it as improper writing, indicating her illiteracy. The misunderstanding about calling someone 'captain' and the subsequent plea for mercy from ‘the charge’ further portrays her vulnerability and desperation in the situation. This scenario underscores Eliza's feelings of insecurity and lack of control over her circumstances.
• 55:00 - 61:10: Resolution and Conclusion In the chapter "Resolution and Conclusion," a character expresses concern about potential molestation by a young woman and seeks protection. Another character, possibly a detective or a gentleman characterized by his boots, provides reassurance, indicating that the young woman means no harm. There is a discussion about the origins of a person's family from Sela and how this information is known. Another character appears to reflect on moving away from a place called Listen Grove, which he deemed uninhabitable.

My Fair Lady Musical - Presented by Valley Christian School Missoula Transcription

• 00:00 - 00:30 [Music] [Applause] [Music] [Applause] [Music]
• 00:30 - 01:00 ow I'm frightfully sorry two bunches of violet Trot in the mud a fold eyes Wes
• 01:00 - 01:30 why don't you look where you're going will you fet a taxi Freddy do you want me to catch pneumonia I'm sorry mother I'll fetch a taxi right away sorry oh he's your son I he well if You' done your doy by him as a mother should you wouldn't let him spoil a poor girl's flowers and then run away without paying go on about your business my girl two bunches of violets Trot in the mud
• 01:30 - 02:00 taxi I say captain buy a flower off a poor girl I'm sorry I haven't any change I can change f for Crown yeah take this for tuppin I'm sorry I really haven't any stop here's three happens if that's any use to you thank you sir you better give him a flower for it there's a bloke there behind the pillar taking down Every Blessed word you're saying now I ain't done nothing wrong by speaking to
• 02:00 - 02:30 the gentleman I've right to S hours if I came off the cab I'm a respectable girl so help me I never spoke to him except to ask him to buy a flower off me what's the row what on bloing noise there's a TCH Tak in a down oh sir don't let them charge me you know what it means to me they'll take away my character and drive me off the streets for speaking to the gentlemen there there there who is hurting you you silly girl what do you take me for on my Bible Lo I never said
• 02:30 - 03:00 a word oh shut up shut up do I look like a policeman and what did you take down my words for how do I know whether you took me down right you just show me what you wrote about me what's that that ain't proper writing I can't read that I can I say captain bu a flow for a poor girl I see oh it's because I called him captain Oh sir I meant no arm don't let him charge me charge I make no charge
• 03:00 - 03:30 Rel sir if you are a detective you need to protect me from molestation by a young woman unless I ask you anybody could see that the girl meant no harm yeah Tech he a gentleman look at his boots and how are your people down at Sela who told you my people came from Cela never mind they did how did you come to be up so far east you were born in listen grve how what arm is there in my leaving listen Grove it wasn't fit for a pig to live in and I P four and
• 03:30 - 04:00 six awake gu where you like but stop that noise come come you have a right to live for you please I'm a good girl I am do you know where I come from hawton well who said I didn't liy you know everything you do tell them where he comes from if you want to go Fortune T chelham hero Cambridge in India quite right blim me he ain't a gentleman he's a blooming busy boy that's what he is
• 04:00 - 04:30 uh may I ask sir do you do this sort of thing for a living on the music halls I have thought of that perhaps I will someday he's no gentleman he's not to interfere with a poor girl uh but how do you do it if I may ask simple phonetics the science of speech that's my profession also my hobby anybody can spot an Irishman or yorman by his broke I could place a man within 6 miles I can place him within 2 miles in London sometimes even two streets ought to be ashamed of him self unmanly coward but
• 04:30 - 05:00 is there a living in that oh yes quite a fat one L him mind his own business and leave a poor girl woman cease this detestable boohoo instantly or else seek the shelter of some other place of worship I have a right to be here if I like Sim is y a woman who utters such depressing and disgusting noises has no right to be anywhere no right to live remember that you are a human being with a soul in the Divine gift of articulate speech and that your native language is the language of Shakespeare and Milton
• 05:00 - 05:30 and the Bible and don't go on cring like a Billy's pigeon look at her a prisoner of the G condemned by every syllable she utters by right she should be taken out and hung for the coldblooded murder of the English tongue ow this is what the British population calls an elementary education
• 05:30 - 06:00 come sir I think you picked a poor example did I hear them down in SoHo Square dropping hes anywhere speaking English anyway they like you sir did you go to school you they never taught him take instead of T here a York chimo Earth Here a cornishman Converse I'd rather hear a choir singing flat chickens cackling in a barn just like like this one gone gone I ask you
• 06:00 - 06:30 sir what sort of word is that it's ow in gone that keep her in her place not her wretched clothes and dirty face why can't the English teach their children how to speak this verbal class distinction by now should be antique if you spoke as sheeta Sir instead of the way you do why you might be selling flowers too I beg your pardon and englishman's way of speaking absolutely
• 06:30 - 07:00 classifies him the moment he talks he makes some other Englishman despise him but one common language I'm afraid we'll never get why can't the English learn to set a good example to people whose English is painful to your ears the Scots and the Irish leave you close to tears there are even some places where English completely disappears in America they have haven't used it for
• 07:00 - 07:30 years why can't the English teach their children how to speak Norwegians learn Norwegian the Greeks are taught the Greek in France every Frenchman learns his language from a to zed they don't actually care what they do in France as long as they pronounce it properly Arabians landar Arabian with the speed of summerl lightning and Hebrews Lear it backwards which is absolutely frightening but use proper ings you'll regard it as a freak why can't the Engish [Music]
• 07:30 - 08:00 English why can't the English learn to [Music] [Applause] speak you see this creature with her curbstone English the English that will keep her in the gutters till the end of her days well sir in 6 months I could pass her off as a duchess at the embassy ball I can even get a place as a ladies maid or shop assistant which does
• 08:00 - 08:30 require better English yeah what's that you say yes you squashed cabbage leaf you disgrace to the noble architexture of these columns you incarnate insults to the English language I could make you the Queen of Sheba taxi a you don't believe that Captain well anything is possible I myself am a student of the Indian dialects are you now do you know Colonel Pickering author of spoken Sanskrit I am Colonel Pickering
• 08:30 - 09:00 who are you Henry Higgins author of Higgins Universal alphabet I came from India to meet you I was going to India to meet you Higgins Pine where are you staying at the Carlton no you're not you are staying at 27A wimple Street come with me and we'll have a jar over supper quite right I say Sir p a flower I'm short for my lodging La you said you could change half a crown oh you ought to be Stu with nails you are yeah take the whole blooming basket for six P six p
• 09:00 - 09:30 ah the church a reminder Indian dialects have always fascinated me I have records of over [Music] 50 don't get in anyou Stand got BL you would be needing a good Butler loer you won't [Music] do it's rather dull in town I think I'll take me to
• 09:30 - 10:00 h m wants to open up a castle in cpri me Dooms a quiet Summer by the Sea would it be LLY all I want is a room somewhere far away from the cold night air
• 10:00 - 10:30 with one enormous chair I would itty loverly lots of chocolate from made away lots of cow M and lots of warm fights warm warm Fade Out w it be lovely i s l sting UPS of blooming l lay
• 10:30 - 11:00 still I would never B till spring craps out me wind the S someone said resting on my KNE warm and tender as they can be oh takes good care of me I W is be Lov
• 11:00 - 11:30 lovely lovely lovely Lely all I want is a room somewhere far away from the cold nightmare with war or Che how wouldn't it be lovely lots of chocolate for me
• 11:30 - 12:00 to LS of Ls [Music] of w w and it be lovely I so lovely sitting ABS the blooming l l still I would never B till spring craps out me [Music]
• 12:00 - 12:30 on Mye war and tender she can be oh T your care of me hands in be [Applause] loverly [Music] loverly
• 12:30 - 13:00 [Music] [Applause] [Music] [Music] [Applause] la [Applause]
• 13:00 - 13:30 [Applause] [Music] oh I dance
• 13:30 - 14:00 it be [Music] lovely loverly [Music] [Applause] [Music] LLY
• 14:00 - 14:30 I ain't running no CH drinks said to be paid for not drunk come on do little ouch go up it now on the double on the double O thanks for the hospitality George send the bill to Buckingham Palace well Alfie guess it's om and go oh what are you going home for Eliza should be here any minute and she ought to be worth her Alpha crown for her father who loves her so Loza that's a
• 14:30 - 15:00 laugh you ain't been near in months what does that have to do with anything what does that have to do with half a crown after everything I gave her when did you ever give her anything anything I gave her everything I gave her the greatest gift any human can give another life I brought her here in this a world the Sun that shines in the Moon that glows I aen Pike to take a nice crisp walk through on a spring night I give her all that and
• 15:00 - 15:30 then I disappears and leave her on her own and I thought it worth alha Crown I'll take my belt off and show what full uh well you got to get a Alfie but if you want the alha crown and I have to have a good story to go with it oh Lia what a surprise not a brass faren come on Liza would you really let me go home to your stepmother with a little bit of liquid protection stepmother huh stepmother indeed look I'm the one that suffers bi
• 15:30 - 16:00 Eliza I'm a slave to that woman just cuz I ain't her lawful husband comea just half a crown well I had a bit of luck myself tonight so yeah but don't you keep coming around counting on half crowns from me thank you Eliza you're a noble daughter see boys I told you not to go home all it takes is faith hope and a little bit of lack the Lord of above gave man an noral
• 16:00 - 16:30 V so he could do his job and never shook the load gave man noral Vol but with a little bit of luck with a little bit of lucking work with a little bit with a little bit with a little bit a luck you'll never work the load above made liquor F him ition to see if mine could turn away sin
• 16:30 - 17:00 the load above May Li go for tempation but with a little bit of luck with a little bit of luck when Temptation comes you won't give in where a little bit a little bit a little bit of luck you won't give in oh you can walk the St and narrow but with a little bit I luck your r a m the
• 17:00 - 17:30 gentle sex was made for man to Mary to share his nest and ensure his food is cooked the gentle sex was made for man to marry but with a little bit of luck with a little bit of luck you can have it all and not get hook with a little bit with a little bit with a little bit I Lu you won't get hooked
• 17:30 - 18:00 with a little bit with a little bit with a little bit of [Music] blooming oh shut your face down there how's a woman supposed to get har rested I'm trying to keep them quiet lady oh shut up once bro just shut up hi is that any way to talk to a lady it to be neighborly like boys after all all the
• 18:00 - 18:30 Lord above made man to help his neighbor no matter where on land or sea or phone the load above made man to help his neighbor [Music] but when he comes around you won't feel with a little bit with a little bit with a little bit I you won't be throwing goodness at you but with a
• 18:30 - 19:00 little bit of luck a man can duck oh it's a crime for man to go as spended to fill his wife's poor heart with grief and doubt oh it's a CME for M to go spending [Applause] [Music] but won't find out with little bit with bit with a little bit she won't find
• 19:00 - 19:30 out with a little bit with a little bit with a little bit of blo in [Music] love I say Higgins can only turn on the lights go nonsense you hear much better in the dark but it's a fearful strain to all these vow sounds I'm quite done up for this afternoon uh Mr Higgin are you there what is it Mrs Pierce a young
• 19:30 - 20:00 woman wants to see you sir a young woman what does she want has she an interesting accent oh something Dreadful sir let's have her up show her up Mrs Pierce very well sir it's for you to say this is rather a bit of luck I'll show you how I make a records we'll set her talking and I'll take her down in Belle's visible speech and then in Broad roic and then we'll get her on the photograph so that you can turn it on whenever you like with the origin transcript before you this is the young woman sir oh no this is the girl I joted down last
• 20:00 - 20:30 night she's no use I have all the records I want of the listen Grove lingo and I'm not going to waste another cylinder on it be off with you oh don't you be so Saucy you ain't heard what I come for yet did you tell him I come in a taxi nonsense girl but do you think a man like Mr Higgins cares what you came in ow we are proud they ain't above given lessons not him I heard him say so well I ain't come here to ask for any compliment and if my money's not good
• 20:30 - 21:00 enough I can go elsewhere good enough for what good enough for you now you know don't you I've come to have lessons I have and a pay for him too make no mistake well what do you expect me to say if you was a gentleman you might ask me to sit down I think don't I tell you I'm bringing your business GRE shall we ask this baggage to sit down or shall we throw her out the window ow I won't be called a baggage when I've offered a b hey like any lady but what is it you
• 21:00 - 21:30 want I want to be a lady in a flower shop instead of selling flowers at the corner of tooram Court Road but them won't take me unless I can talk more Gentile and he said he could teach me well here I am ready to pay not asking any favor and he treats me as if I was dead I know what lessons cost and I'm ready to pay how much now you're talking I thought you come off it when you saw a chance of getting back a of what you chucked at me last night you'd had a
• 21:30 - 22:00 drop in hen you sit down oh if you're going to make a compliment of it sit what is your name Eliza do little won't you sit down Miss D little oh I don't mind if I do how much do you propose to pay me for lessons oh I know what's right a lady friend of mine gets French lessons from a real French gentleman for high 10 P an hour now you enough the f ask me the same for teaching me my own language as
• 22:00 - 22:30 you would for French so I won't give more than a shilling take it or leave it you know Pine if we were cons to consider a shilling not as a simple Shilling but as a percentage of this girl's income it works out to be 60 or 70 from a millionaire by George that's the biggest offer I have ever had 60 what are you talking about I ain't got 60 hold your Tong but where would I get 60 don't cry you silly girl sit down no
• 22:30 - 23:00 one's going to touch your money somebody is going to touch you with a broomstick if you don't stop your sniveling now sit down ow one would think you was my father if I decide to teach you I shall be worse than two fathers to you here what's this for to wipe your face wipe any part of your face that feels moist remember that is your handkerchief and that is your sleeve don't mistake the one for the other if you wish to become a lady in a shop Higgins I'm interested what have your boasts that
• 23:00 - 23:30 you could pass her off as a duchess at the embassy ball I'll say you're the greatest teacher alive if you can make that good I'll bet you all the expenses of the experiment that you can't do it and I'll even pay for the lessons oh you're real good thank you Captain it's almost irresistible she's so deliciously low so horribly dirty ow I ain't dirty I washed my face and hands before I come my dead I'll take it I'll make a duchess of this
• 23:30 - 24:00 Drago tail gutter snipe how I'll start today now this moment take her away and clean him Mrs Pierce sandpaper if it won't come off any other way is there a good fire in the kitchen yes take all her clothes off and burn them ring up and order some new ones we'll wrap her in brown paper till they come oh you no gentlemen you're not to talk of such things I'm a good girl I am and I know what the likes of you are I do we want none of your slum prudy here young woman remember that you are to behave like a duchess take her away Mrs Pierce if she
• 24:00 - 24:30 gives you any trouble water up her but I have no place to put her put her in the dust bin Oh Come be reasonable yes Mr Higgins you must be reasonable you really must you can't walk over everybody like this I walk over everybody My Dear Mrs pierce my dear Pickin I never had the slightest intention of walking over anybody all I ask is that we be kind to this poor girl if I did not make my intentions clear it was only because I did not wish to hurt her delicacy or yours but sir you can't take a girl up like that as if you were
• 24:30 - 25:00 picking up picking up a pebble on a beach why not why not you don't know anything about her what about her parents she may be married gone there you go as the girl very properly says gone it' Marry Me by George Aliza the streets will be strewn with the bodies of men shooting themselves for your sake before I am done with you yeah he's obious champ is I don't want no bal's teaching me I'm going away oh I'm mad am I very well Mrs Pierce you needed to
• 25:00 - 25:30 order the new clothes throw her out stop Mr Higgins I won't allow it go home to your parents girl I ain't got no parents there you go she ain't got no parents what's all the fuss about the girl doesn't belong to anybody and she is no use to anyone but me but what has to become of her is she to be paid anything do be sensible sir what will she want with money she'll have her food and her clothes she'll only drink if you give her money oh you you are a brute it's a lie nobody ever saw the sign of liquor
• 25:30 - 26:00 on me oh sir you're a gentleman don't let him speak to me like that does it occur to you Higgins that the girl have some feelings no I don't think so no feelings that we need worry about have you Eliza but sir I really must know on what terms the girl is to be here what is to become of her once you finished your teachings do look ahead a little sir what's to become of her if I leave her in the gutters answer me that Mrs Pierce that's r business not yours Mr Higgins well when I'm done with her
• 26:00 - 26:30 we can throw her back in the gutter and it will be her own business again so that's all right oh you've got no art you a't you don't care for nothing but yourself I've had enough of this I'm going Eliza have a chocolate how do I know what might be in them I bet a girls been drugged by the likes of you P of good faith Eliza I take one half you take the other you shall have boxes of them barrels of them every day you shall live on them eh I wouldn't have at it only
• 26:30 - 27:00 I'm too light Alik to take it out of my mouth think of it Eliza think of chocolates and taxis and gold and diamonds no I don't want no gold and no diamonds I'm a good girl I am excuse me Higgins but I really must interfere if the girl has to put herself in your hands for 6 months for an experiment in teaching you must understand thoroughly what she's getting herself into Eliza you are to stay here for the next 6 months learning to speak beautifully like a lady in a floor shop
• 27:00 - 27:30 if you are good and do as you're told you shall have a proper bedroom and money to buy chocolates and take rides and taxis if you are naughty and Idol you shall sleep in the back kitchen among the black beetles and be watered by Mrs pierce with a broomstick at the end of 6 months you shall go to buckin and Palace beautifully dressed in a carriage if the king finds out you are not a lady you shall be taken to the Tower of London where your head will be chopped off as a warning to other presumptuous flower girls if the king does not find this out
• 27:30 - 28:00 however you shall have a reward of seven and six to start life with as a lady in a shop if you refuse this offer you will be the most ungrateful Wicked girl and the angels will weep for you does that satisfy you Pickering could I have put put it any more plainly or fairly Mrs Pierce come with me Eliza excellent bundle her off to the bathroom oh you're a great bully you are I won't stay if I don't like and I won't let nobody wall at me don't answer bad girl if I known
• 28:00 - 28:30 what I was letting myself in for I wouldn't have come up here I've always been a good girl and I won't be put upon in 6 months in three if she has a good ear and a quick tongue I'll take her anywhere and pass her off as anything I'll make a queen of the barbarous richet Higgins forgive the bluntness but if I'm to be in this business I shall feel responsible for the girl I hope it's clearly understood that no Advantage is to be taken of her position what that thing sacred I assure you now come Higgins you know what I mean are
• 28:30 - 29:00 you a man of good character where woman are concerned have you ever met a man of good character where women are concerned uh yes very frequently well I haven't I find the moment that I let a woman make friends with me she becomes jealous exacting suspicious and a nuisance I find the moment I let myself make friends with a woman I become selfish and tyrannical so here I am a confirmed old Bachelor and likely to remain so after all
• 29:00 - 29:30 pigin I'm an ordinary man who desires nothing more than just the ordinary chance to live exactly as he likes and do precisely what he wants and average man am I of no eccentric whim who likes to live his life free of strife doing whatever he thinks is best for [Music] him just an ordinary
• 29:30 - 30:00 man but there's a woman in your life and your Serenity is through she rorate your home from the cell to the Dome then go on to the and thring fun of overhauling you oh let a woman in your life and you are up against a wall make a plan and you will find she has something else in mind then so rather than do either you'll do something else that nigh that like at all you want to talk of Keat or Milton
• 30:00 - 30:30 she only wants to talk of love you go to see a play or ballet and spend it searching for her glove oh let a woman in your life and you invite Eternal Strife let them buy their wedding bands for those anxious little hands I'd be equally as willing for a dentist to be drilling than to ever let a woman in my
• 30:30 - 31:00 life I'm a very gentle man even tempered and good natured whom you'd never hear complain who has the milk of hum kindness by the quart in every vein a patient man am I down to my fingertips the salort who never could ever would let an insulting remark Escape his lips just a very gentl
• 31:00 - 31:30 man but let a woman in your life and patience hasn't got a chance she will beg you for advice your reply will be concise then she'll listen very nicely then go out and do precisely what she wants you are a man of Grace and polish who never spoke above a hush now at once you're using language that would make a sense blush oh let a woman in your
• 31:30 - 32:00 life and you are plunging in a knife let the others of my sex tie the knots around their necks I prefer a new addition of a Spanish Inquisition than to ever let a woman in my [Music] life I'm a quiet living man who prefers to spend his evenings in the silence of his room who likes an atmosphere as restful as an Undiscovered
• 32:00 - 32:30 tomb a pensive man am I a philosophic choice who likes to meditate contemplate free from Humanity's mad in human [Applause] noise just a quiet living man but let a woman in your life and your sabatical is through in a line that never ends come an army of her
• 32:30 - 33:00 friends come to jab and to chat her and to tell her what the matter is with you she'll have a booming boisterous family who will descend on you on mass she'll have a large vagian mother with a voice that shatters glass oh let a woman in your life let a woman in your life let a woman in your life
• 33:00 - 33:30 I shall never let a woman in my [Music] [Applause] life how would you like that knock me for a few rows of pin p I ain't running no charity bizar oh thanks for the Hospitality George yes I
• 33:30 - 34:00 know send the Bild of Buckingham Palace you can pay you drinks now Alfie do little falling into a tub of butter you have what tub of butter your daughter Liza oh you lucky man Alfie do little what about Loa he daughter and he don't even know moved in with swell Li has small ass paint and ain't been on for 3 days and then I gu message from her this morning telling me to send her
• 34:00 - 34:30 things to 27A wimo Street k a professor igin you know what she wants a bird cage in Chinese fan and she says never mind about sending any clothes oh I knew she had a future in front of her every boy the sun is shining on Mr Alfred P do little T know it's going to be a good night a man was made to help support his children which is the right and proper thing to do a
• 34:30 - 35:00 man was made to help support his children but with a little bit of luck with a little bit of luck they go up and start supporting you with a little bit with a little bit with a little bit a l to work for you he doesn't have a tough in his pocket the poorest BL you'll ever to meet he doesn't have a to in his
• 35:00 - 35:30 pocket with a little bit of luck with a little bit I lo up easy street with a little bit with little bit with a little bit I moving up with a little bit with a little bit with a little bit of blooming [Music]
• 35:30 - 36:00 [Applause] [Applause] with a little bit with a B with a little bit of
• 36:00 - 36:30 BL Mr Higgins you simply cannot go on working the girl this way making his s alphabet over and over again from sun up to sundown even during meals when will it stop when she does it properly of course is that all Mrs Pierce no sir the mail well pay the bills and say no to the invitations is that all no sir there's another letter from that American billionaire Ezra D Wallingford he still wants you to lecture for his
• 36:30 - 37:00 moral reform League throw it away but sir it's the third letter he's written you you should at least answer it all right put it on the desk I'll get to it if you please sir there's a dustman downstairs Alfred D who wants to see you he says you have his daughter here a few I say send the blacket up he may not be a blackard Higgins nonsense of course he's a blackard well whether he is or not I'm afraid we shall have some trouble with him no I think not if
• 37:00 - 37:30 there's to be any trouble he shall have it with me not I with him do little sir good morning gentlemen Professor iggins yeah good morning where oh I've come to see you by a very serious matter Governor what do you want do little I want my daughter that's what I want well of course you want your daughter you're her father aren't you I'm glad to see see there's some spark of family feeling left she's
• 37:30 - 38:00 upstairs take her away at once what take her away do you expect me to keep your daughter for you how is it right Governor is it fairy to take advantage of a man like that dare girl belongs to me you have her where do I come in how dare you come here and attempt to Blackmail me you sent her here on purpose no don't take a man up like that Governor the police shall take you up this is a plant a plot to extort money by threats I shall telephone the police have I asked for brass fing have I said a word about money I leave it to this man here Alfred you sent her here
• 38:00 - 38:30 on purpose no Governor I swear I never did and how did you know she was here well I'll only tell you if you let me get a word in I'm willing to tell you I'm waiting to tell you I'm wanting to tell you piine this chap has a certain natural gift for rhetoric observe the rhythm of his native woodnotes wild I'm willing to tell you I'm wanting to tell you I'm waiting to tell you that is the well straining him how did you know Eliza was here if you didn't send for her well she sent for her things but she asked for no clothes I ask you Governor
• 38:30 - 39:00 what was I to think ah so you came to rescue her from worse than death yeah yeah just so Governor very well Mrs Pierce Eliza's father has come to take her away give her to him at once well now wait a minute Governor wait a minute I've taken a sort of liking to you and I might not be so set on having to girl home but what I might be open to is an arrangement of sorts all I ask is M wres as a father cuz I can see you're one of the last people to let her go for for nothing so I ask you what is £5 to you
• 39:00 - 39:30 and what is a lier to me I'll have you know D little that Mr higgins's intentions are entirely honorable of course they are if they aren't I would have asked for 50 do you mean to say you would sell your daughter for £50 have you no morals man no Governor can't afford him neither could you if you were as poor as me and what do you think that does to a man it means he's up against middle class morality for the rest of his life and I don't mean to pretend to be deservant I'm undeserving and I like to be going on deserving cuz I ain't pretending to be deserving piine if we were to take this
• 39:30 - 40:00 man in hand for the next 6 months he could choose between a seat at the cabinet and a popular Pulpit at the whales I think we ought to give him a FIV he'll make bad use of it I'm afraid oh not me Governor better satisfaction that it ain't been thrown away it's almost irresistible oh well let's give him 10 oh no not 10 the MS wouldn't have the art to spend 10 what do you think it does to a man it makes a man feel prudent and then G Happ happiness no give me what I asked for not a penny less and not a penny more piine if we
• 40:00 - 40:30 were to listen to this man for another minute we shall have no memorials left £5 I think you said Thank You Governor I won't I won't I won't oh beg my pardon Miss I won't say those right vows one more time why me it's a loser oh I never knew she could clean up so good does me Justice doesn't she Governor yeah what are you doing here don't give these men any of your lip she gives you any of their lip just give her a few wagging of the belt makes her mind better you know oh good
• 40:30 - 41:00 morning gentlemen cheer your loer by George there is a fellow for you a philosophical Genius of the first water this is Pier write to Mr Ezra Wallingford and tell him that if he still needs a lecturer he should get in touch with Alfred p dittle a common dman but one of the most original moralists in London yes sir yeah what did he come for say your vowels I know my vowels I knew them
• 41:00 - 41:30 before I came if you know them say them I E I O U stop a e i o u that's what I said I E I O U I know it's difficult to Miss D little but try to understand no use explaining pierine as a military man you ought to know that drilling is what she needs but to leave her she'll be turning to you for sympathy all right if you insist
• 41:30 - 42:00 but try to have a little patience with the Higgins of course say A you ain't got no art you ain't a i Eliza I promise you will pronounce your vowels correctly before this day is out or there will be no lunch no dinner and no chocolates just you white and and riging just you white you'll be sorry but your tears
• 42:00 - 42:30 will be too light you'll be broke and all that money will I help you don't be funny just you white and R just you white just you white and rig till you're sick and you scream to fet a doctor double quick I'll be off a second light R go strike to the the ho and re just you
• 42:30 - 43:00 wh ooh and reans just you white and so we swimming in the sea o and re and you got a cramp a little ways from me when you yell you're going to drown or get dressed and go to down and re oh and re just ew
• 43:00 - 43:30 white one I I'll be famous all be proper and Prim got a sign CH so often they will call it sign Jim one evening the king will say Al Li thing I want all of England your prizes to sing next week on the 20th of month I Proclaim lies to do
• 43:30 - 44:00 little all the people will celebrate the glory of you and whatever you wish and want I gladly will do thanks a lot King says I in a manner well but all I want is Henry igin Ed done said the king with a stroke God run and bring in
• 44:00 - 44:30 Theo then they'll March you and re to the wall and the King will tell me lies and sound the call as they raise their rifal Z I'll shout Ready Aim Fire andry downi you go andry igin just you
• 44:30 - 45:00 wait the r and spine St mindly on the plane no the rain in Spain stays mainly in the plain didn't I say that no Eliza you didn't sayigh that you didn't even say that each night before you go to bed where you used to say your prayers I want you to repeat the rain in Spain stays mainly in the Plaine 50 times you will get much further with the Lord if you learn not to offend his
• 45:00 - 45:30 ears now for your ages piine this is going to be gasly control yourself Higgins give the girl a chance of course no one expects her to get it right on her first try you see this flame Eliza each time you pronounce your itch properly the flame will waver each time you drop your itch the flame will remain stationary in time your ear will hear the difference now listen closely in Harford helish F and Hampshire hurricanes hardly ever
• 45:30 - 46:00 happen now repeat after me in Hartford Herford and Hampshire hurricanes hardly ever happen in artford aishford and Hampshire urin only ever happen no no no no no no idea at all you know should I do it over oh please no we must start from the very beginning do this ha ha ha ha ha
• 46:00 - 46:30 ha oh go on go on ha ha does the same thing hold true in India picking this peculiar habit of not only dropping a letter like the letter H but using it where it shouldn't be you'll notice some of the Slavic peoples tend to do that with their G's they'll say linger instead of linger and then they'll turn right around and say singer instead of singer I Wonder Why That's So I must look that up what the matter why did you
• 46:30 - 47:00 stop go on Professor Higgin po Professor Higgins night and day he slaves way Professor all day long on his feet up and down until he's doesn't doesn't eat doesn't touch
• 47:00 - 47:30 [Music] [Music] a kind of you kind of you kind of you now listen Eliza how kind of you to let me come how kind of you to let me come no no no no no kind of you it's just like a cup of tea say a cup of tea a cup of tea no no no no no it's awfully good cake I wonder where
• 47:30 - 48:00 Mrs Pierce gets it h First Rate the Strawberry Tart is delicious and oh have you tried the pl Kik try again have you tried the not you pigin try again Eliza a cup of te can't you hear the difference put your tongue forward until it rests against the top of your lower teeth now say cup cup now say of of now say cup cup cup Cup cup of of of of cup
• 48:00 - 48:30 cup Cup cup of of of of by J what a glorious tea could you finish the strawberry toart I couldn't eat another bite thanks old chap really shame to waste oh it won't go to waste I do know someone who's awfully fond of strawberry toss ow four five six marbles there we are now Eliza I want you to read this and enunciate each word as if the marbles were not in your
• 48:30 - 49:00 mouth with blackest Moss the flower parts were thickly crusted one and all each word clear as a bell the I say Higgins are the Pebbles really necessary if they are necessary for deines they are necessary for Eliza do little come on Eliza [Music] I cannot understand a word not one
• 49:00 - 49:30 word I say Higgins maybe the poem is too difficult why not try a simpler one like The Owl and the Pussycat by George of the Glorious poem P I cannot understand the girl what's the matter why did you stop a swallowed one oh don't worry I have plenty more quit Professor qu Professor here
• 49:30 - 50:00 our we will quit Professor a i o pounding pounding in our bra a not i o not L don't say R say [Music] rain oh
• 50:00 - 50:30 yeah the rain in Spain stays mainly in the plane I can't I'm so tired I'm so tired oh come Higgins it's nearly 3:00 in the morning do be reasonable I'm always reasonable Pickering Eliza If I can go on with a blistering headache you can I have a headache too
• 50:30 - 51:00 yeah Eliza I know your headaches I know your nerves are as raw as meat on a butcher's window but think of what you're trying to accomplish think of the majesty and Grandeur of the English language it's the greatest possession we have the noblest sentiments that ever flowed in the hearts of men are contained its magical and musical mixtures of sounds and that is what you have set yourself to conquer and conquered it you will I'll try again the rain in Spain stays mainly in
• 51:00 - 51:30 the plain what was that the rain in Spain stays mainly in the Plaine again the rain in Spain stays mainly in the plane I think she's got it I think she's got it the r and Main in the by George she's got it
• 51:30 - 52:00 by George she's got it now once again where does it rain on the plane on the plane and where is that soggy plane in Spain in Spain the rain in Spain stays Main in the the rain and Spain stays mainly in the plane in Harford head his friend in Hampshire
• 52:00 - 52:30 hurricanes hardly happen how kind of you to let me come how kind of you to let me come now once again where does it rain on the plane on the plane and where is that blasted plane in Spain in Spain the rain and Spain stays made in the pl the rain in space St made in the [Music]
• 52:30 - 53:00 [Music] [Applause] [Music] [Applause] [Music] plane [Music]
• 53:00 - 53:30 figurine we are making fine progress I think the time has come to try her out Mr Higgins are you feeling all right quite well Mrs Pierce and you very well sir thank you Splendid Let's test her in
• 53:30 - 54:00 public and see how she fares Mr Higgins I was awakened by a dreadful pounding do you know what that might have been pounding pounding pounding I heard no pounding did you Pickering no this continues Mrs Pierce you better see a doctor I know piine must take her to the races the races yes my mother's box I ask it you will consult your mother of course of course no we'll surprise her let's go
• 54:00 - 54:30 to bed first thing in the morning we'll go off and buy her a gown Eliza go on with your work but sir it's early in the morning what better time to work than early in the morning where does one go for a lady's gown which is of course how do you know that common knowledge is it well we mustn't get anything too flowery I despise those gowns with the sort of weed here and a weed there there we must get there something simple modest and elegant
• 54:30 - 55:00 that's what's called for perhaps with a sash yes you all have been working much too hard and I think the strain is starting to show Eliza I don't care what Mr Higgins says put down your books and go to bed but bed I couldn't go to bed my head's too right to try to set it down sleep sleep I couldn't sleep tonight not with all the Jews in the
• 55:00 - 55:30 CR I could have daned all night I could have danced on night and still I'm back for more I could have spread my wings and done a thousand things I've never done before I'll never know what made it so
• 55:30 - 56:00 exciting why all at once my heart took flight I only know when he be to dance with me I could have dance Dan [Applause] Dan all night
• 56:00 - 56:30 it's after 3 now don't you agree now you ought to be in bed I could have di tired you must be dead I could have di your face is drawn your eyes are red say good night please turn off the light please it's really time for you to be in bed I could come along do as it Mrs Pier the scope I've never too late Miss F Miss c
• 56:30 - 57:00 c I'll never know what made it so exciting while all at once my heart took I only know put down your book the work to settle down and go to sleep I could have [Applause] [Music]
• 57:00 - 57:30 oh I understand dear it's all been grand dear but now it's time to [Music] sleep I could have done so night I could have done so night and still I beg for more I could have spread my wings and done a
• 57:30 - 58:00 thousand things I've never done before I'll never know what made it so exciting why all at once my heart took fight I only know when he began to dance with me
• 58:00 - 58:30 I could have daned on oh [Applause] [Music] no but Kel Pickering I don't understand do do you mean to say that my son Henry is coming here to ask it
• 58:30 - 59:00 today uh yes Mrs Higgins as a matter of fact he's here what a disagreeable surprise ask it is usually the one place I can come to with my friends and not run the risk of seeing my son Henry whenever my friends meet him I never see them again but he had to come Mrs Higgins you see we are taking the girl to the annual Embassy ball and we needed to try her
• 59:00 - 59:30 out first I beg your pardon you know the annual Embassy ball yes I know the ball but what girl didn't I mention that no you didn't uh yes it's quite simple really one night I was at Covent Garden to hear one of my favorite favorite operas AA incidentally they didn't play a that night they played G demang instead now I never heard have got a damong my George what a rackety one now this tennis sh
• 59:30 - 60:00 what about the girl Colonel uh yes as I came out I met Henry who in turn met Miss dle who now lives with Henry lives with Henry is it a love affair that no she's a flower girl he picked her up off the curbstone a flower girl yes higen said to me Pickering you see this girl in 6 months I can make a duchess of her nonsense I said yes I can all right I'll make a bet that you can't and I did and he is the horses are leaving the paddock
• 60:00 - 60:30 Mrs Higgins I must go fetch the girl excuse me Colonel do you mean to say that my son Henry is bringing a flower girl to ask it today yes that's it precisely jolly good Mrs Higgins jolly [Music] good Charles you better stay close to the car I may be leaving abruptly [Music]
• 60:30 - 61:00 every Duke and O and is here everyone who should be here is
• 61:00 - 61:30 here what a smashing positiv dashing spectacle the ask opening day at the Gat are all the horses waiting for the cute to fly away what a ging positively ripping moment at the a opening day [Music] pules rushing
• 61:30 - 62:00 faces flushing heart beat speed up I have never been so ke up any second now they'll begin to run the Bell is ringing they are springing forward look it has begun
• 62:00 - 62:30 what a FR moment that was they may take an exhausting Pace was a positively chilling running of the a
• 62:30 - 63:00 opening [Music] [Applause] [Music] [Applause] [Music] race I don't know where the devil they could be oh darling have you seen piine you do look nice I saw Kel Pickering and Henry dear I am most provoked I heard you've brought a common flower girl from cousant garden to my box oh darling
• 63:00 - 63:30 she'll be all right I've taught her to speak properly and she has strict orders as to her behavior she's de keep to two subjects the weather and everybody's help sort of fine day and how do you do and not just go on things in general help her along darling and you'll be quite safe safe to talk about our health in the middle of a race well she's got to talk about something how you're not even dressed for I ask it I changed my
• 63:30 - 64:00 shirt well where's the girl now being pinned some of the clothes we bought didn't quite fit I told Pine we should have taken her with us you a pretty pair of babies playing with your life doll oh the sign is Red Hill oh are these people with you Mrs Higgins is this your celebrated son I'm sorry to say that my celebrated son has no manners he may be the life and soul of the Royal Society Suare but he
• 64:00 - 64:30 can be rather trying on more commonplace occasions ah ah kind of Pickering you're just in time for tea thank you Mrs Higgins may I introduce Miss Eliza dittle My Dear Miss ditt how kind of you to let me come delighted My Dear Mr little Mrs lford Hill how do you do how do you do Mr little
• 64:30 - 65:00 Lord and Lady boxington how do you do how do you do how do you do how do you do and Freddy an Red Hill how do you do how do you do Miss D good afternoon Professor Higgins I'm so sorry you missed the first race miss dittle it was most
• 65:00 - 65:30 exciting what rain do you think the rain in Spain stays mainly in the plane but in Harford harrisford and Hampshire hurricans hardly ever happen how awfully funny uh what is wrong with with that young man I bet I got it right smashing I do hope we don't have any
• 65:30 - 66:00 unseasonably cold spells it brings on so much influenza and our whole family is susceptible to it my aunt died of influenza so they said but it's my belief they done the old woman in done her in yes Lord love you why should she die of influenza when she come through diptheria right enough the year before barely blue with it she was
• 66:00 - 66:30 they all thought she was dead but my father he kept ladling Jin down her throat then she came to so sudden that she bit the bow off the spoon dare me now what call would a woman with that strength in her have to die of influenza and what become of her new straw hat that should have come to me somebody pinched it and what I say is
• 66:30 - 67:00 them as pinched it done her in done done her in done her in did you say yes yes done her in this is the new small talk to do someone in means to kill them you surely don't believe your aunt was killed do I not them she lived with would have killed her for a hat pin let Alona hacked but it can't have been right for your father to pour Spirits down her throat like that it might have
• 67:00 - 67:30 killed her not her Jin was mother's milk to her besides he's poured so much down his own throat that he knew the good of it do you mean that he drank drank my word something chronic here what are you sniggering at nothing the the new small talk you do it so awfully well if I was doing it proper what what was you laughing at have I said anything I ought not at all my dear well that's a mercy
• 67:30 - 68:00 anyhow what I always say is I don't suppose there's enough time to play some bets before the next race come my dear I'm afraid not can of pickory I have a bet on number seven I should be so delighted if you would take it you'll enjoy the race ever so much more that's very kind of you his name is DOA there they are again lining up to run
• 68:00 - 68:30 now they're holding steady they are ready for it look it has begun come on come on DOA come on come on DOA come on DOA move your bloom [Music] in officer I know this is wimple street but could you show me where 27A
• 68:30 - 69:00 is right over there sir thank you are those for sale yes sir a shilling here thank you kindly sir isn't it a Heavenly [Music] day when she mentioned how her aunt bit off the spoon she completely done me
• 69:00 - 69:30 in and my heart went on a journey to the moon when she told about her father and the jein and I never saw more enchanting bar than the moment when she shouted move your bloom in yes sir is m d little home whom shall I say is called Freddy eford Hill if she doesn't remember me tell her I'm the old chap
• 69:30 - 70:00 that was snickering at her yes sir and will you give her these yes sir thank [Music] you I have often walked down this street before but the pavement always stayed beneath my feet before all at once am I several stories high knowing I'm on
• 70:00 - 70:30 the street where you live are there lilac trees in the heart of town can you hear a lck in any other Park to town does enchantment po out of every door no it's just on the street where
• 70:30 - 71:00 you live and oh that towering feeling just to know somehow you are near the overpowering feeling that any second you may suddenly here people stop and stare they don't bother
• 71:00 - 71:30 me for there's nowhere else on Earth that I would rather be let the time go by I won't care if I can be here on this street where you live Mr hinford Hill yes I'm terribly sorry sir but miss dittle says she never wants to see anyone ever again but why
• 71:30 - 72:00 she was magnificent magnificent do you have the right address sir yes of course tell her await but sir it might be days even weeks but don't you see I'll be happier [Music] here people stop and stare they don't bother me for there's nowhere else on Earth that I would rather
• 72:00 - 72:30 be let the time go by I won't care if I can be here on the street where [Music] you [Music] [Applause]
• 72:30 - 73:00 Higgins if there's any mishap at the embassy tonight if M to little suffers any embarrassment whatsoever it's on your head alone I've been begging you to call off this experiment since askit Eliza can do anything but suppose she's discovered suppose she makes another Gastly mistake there'll be no horses at the ball pigin goodness if anything happened I don't know what I do you could always rejoin your regiment Higgins this is no time for flippancy at a time like
• 73:00 - 73:30 this the way you've driven her these last 6 weeks has you seeed all the bounds of common K you settle some place you're facing up and down have a little Port it will quieten your nerves I'm not nervous where is it on the desk the car is here sir thank you Mrs Pierce are you helping AER yes sir excellent help her indeed how about the Gown doesn't fit I warned you about those French designers you should have gone to a good English store
• 73:30 - 74:00 where you knew everybody was on our side have little Port no thank you it quiet in your nose no thank you pig green are you sure she'll retain all that you've hammered into her hiin we shall see you know what I hate about you it's a confounded complacency at a time like this was so much at stake it's utterly indecent you don't have a little Port what of the girl you act as if she doesn't matter at all nonsense pigin of
• 74:00 - 74:30 course she matters what you been think I've been doing these past months what could matter more than to take a human being and turn her into a different human being by creating a new language for her why it's feeling the deepest golf that separates class from class and soul from Soul she matters immensely [Music] Miss D you look beautiful thank you
• 74:30 - 75:00 Colonel Pickering don't you think so Higgins not bad not bad at [Music] all Soo the lady tarington [Music]
• 75:00 - 75:30 Professor Zan car [Music] pathy Colonel Hugh [Music] pickery Mrs Higgins excuse me well she got by the first hle but the Ambassador and his wife were completely captivated I know I've heard several people ask
• 75:30 - 76:00 about who she is do you tell me what happened uh yes when Higgins introduced her Madam Ambassador said how do you do and Eliza came right back with how do you [Music] do is that all uh no when it was my turn both the Ambassador and his wife said Colonel piging who's that captivating creature with Professor Higgins and what did you say well I was stopped for a moment then I gathered myself and said
• 76:00 - 76:30 Eliza do little oh that was quick thinking Colonel thank you Mrs siggins do you think the girl will make it oh I hope so I've G terribly fond of [Music] Eliza Professor Henry Higgins mro mro yes you remember me no who the devil
• 76:30 - 77:00 are you zortan Cary that marvelous boy I've made your name famous throughout Europe you teach me Poetics you can not forget me why don't you shave I have not your imposing features your brow no one remember me if I shave what did you get all those old coins decorations for language the queen of Transylvania is here this evening I'm
• 77:00 - 77:30 indispensable to her these International parties and this lady you bring she Fascinate everyone not since Miss lengthly came to London of course his Excellency thein Stephanos this so-called Greek Ambassador pretends he canot speak English he does not fool me he's actually the son of a Yorkshire watch maker he speak it so villainously he dare not UT word of it without betraying his origin I help him to pretend but I
• 77:30 - 78:00 make him pay through the nose I make zimal pay I look forward to meeting your lady thank you Higgins I say where is Eliza upstairs last minute adjustment let's not risk it I say we collect her and leave immediately Henry do you think it wise to stay stay why not Miss Eliza do little oh Professor you must introduce me [Applause] [Music]
• 78:00 - 78:30 [Applause] [Music] ch [Music]
• 78:30 - 79:00 the [Music]
• 79:00 - 79:30 [Music] oh [Music]
• 79:30 - 80:00 w [Music]
• 80:00 - 80:30 oh [Music]
• 80:30 - 81:00 [Music] w [Music]
• 81:00 - 81:30 [Music] [Applause] [Music]
• 81:30 - 82:00 Higgins it is an immense achievement absolutely fantastic I should have tucked the whole thing up two months ago Higgins it is an immense achievement I salute you oh nonsense the silly people don't know their own Silly business [Music]
• 82:00 - 82:30 tonight old men you did it you did it you did it you said that you would do it and indeed you did I thought that you would Ru it I doubt it you do it but now I must admit it that succeed you did you should be given a medal or even be made a night it was nothing really nothing all alone you hurdled every obstacle in sight now wait now wait give credit where it's do a lot of the glory goes to you but you're the one who did it who
• 82:30 - 83:00 did it who did it as 30y as your bter not a moment did you falter there's no doubt about it you did it I must have aged it year tonight I thought that I would die of fright never was there a momentary love shortly after we came in I saw at once we'd easily win and after that I found it deadly dull you should have heard the OS
• 83:00 - 83:30 everyone wondering who she was you'd think they'd never seen a lady before and when the prince of Transylvania went to meet her and took her and to lead her to the floor I said to him you did it you did it you did it they thought she was IC and so far aristocratic there's no doubt about it you did it thank heavens for that Zan
• 83:30 - 84:00 Kathy had he it not been for him I should have died at bom Kathy that Dreadful Hungarian was he there yes and he was up to his old tricks all [Music] right that blackard uses the science of speech mortal blackmail and swindle and te he made it the devilish business of his to find out who this MD little is every time we looked around there he
• 84:00 - 84:30 was that hairy Hound from Budapest never leaving us alone never have I ever known a rudest finally I decided it was foolish not to let him have his chance with her so I stepped aside and let him dance with her oozing charm from every pole he oiled his way around the floor every trick that he could play he used to
• 84:30 - 85:00 strip her mask away and when at last the dance was done he glowed as if he knew he'd won and with a voice too eager and a smile too broad he announced to the hostess that she was a fraud no y hell English is to goody said which clearly indicates that she is
• 85:00 - 85:30 foreign there as others are instructed in their native language English people aren and although she may have studied with an X dialectician and Garian I can tell that she was born Hungarian not only Hungarian but of Royal Blood she is a princess all I can say is thank God it's all over now at least I can go to bed without dreading tomorrow good night Mr
• 85:30 - 86:00 Higgins good night Mrs Pierce I think I shall turn into it has been a great occasion Higgins uh good night good night pigin oh Mrs Pierce oh no I meant to tell her I wanted coffee in the morning instead of tea leave a little note will you Eliza what the devil have I done with my slippers there are your slippers and there take your slippers and may you never have a day's log with them what on Earth what is the matter is anything
• 86:00 - 86:30 wrong nothing wrong with you I've won your bet for you haven't I you won my bet you presumptuous insect I won it what you to go and throw those slippers at me for because I wanted to smash your face I'd like to kill you you selfish brute you thank God it's all over and that you can throw me back in the gutter sit down and be quiet what's to become of me what's to become of me how the devil should I know what's to become of you what does it matter what becomes of
• 86:30 - 87:00 you you don't care I know you don't care you wouldn't care if I was dead I'm nothing to you not so much as them slippers those slippers those slippers I didn't think it made any difference now why have you suddenly begun going on like this may I ask if you complain of your treatment here no has anyone behaved poorly to you colel piine Mrs Pierce no and you don't pretend that I have treated you badly no well I'm glad to hear it
• 87:00 - 87:30 perhaps you're tired after this train of the day have a chocolate no no thank you I suppose it's only natural for you to be anxious but it's all over now there's nothing more to worry about no nothing more for you to worry about oh I wish I was dead why in Heaven's name why listen to me Eliza all this irritation is purely subjective I don't understand and I'm too ignorant it's only imagination nobody's hurting you nothing's wrong come you go to bed and have a good cry
• 87:30 - 88:00 and say your prayers and you'll be quite comfortable I heard your prayers thank God it's all over but don't you thank God it's all over now you are free and can do what you like but what am I fit for what have you left me fit for where am I to go what am I to do what's to become of me so that's what's wearing you is it I should imagine you w't have much trouble said lean yourself down somewhere or other though I hadn't quite realized you were leaving you might marry you know Eliza you see all men are
• 88:00 - 88:30 not confirmed old Bachelors like me and the colonel most men are the meran S poor devils and you're not so badl looking why you're quite a pleasure to look at sometimes not now of course you've been crying and look like the very devil but when you're all right and quite yourself you're what I should call attractive come you go to bed and then get up in the morning and look at yourself in the glass and you won't feel so cheap I dare say my mother could find a fellow who would do very well we were above
• 88:30 - 89:00 that in Covent Garden what do you mean I sold flowers I didn't sell myself now that you made a lady of me I'm not fit to sell anything else oh TSH Eliza don't insult human relations by are dragging all that c about buying and selling into it you need marry the fellow if you don't want to but what else am I to do oh lots of things what about that old idea of the Flor shop I dare say Pickering could set you up in one of course you have to pay for all all those old talks you've been wearing and that
• 89:00 - 89:30 with the hire of the jewelry will put a big hole in2 200 oh come you'll be all right I must head off to bed I am devilish sleepy by the way I was looking for something what was it your slippers oh yes you shied them at me before you go sir do my clothes belong to me or to Kel Pickering what use would they be to Pickering why need you start worrying about that in the middle of the night I want to know what I may take away with me I don't want to be accused of stealing you may
• 89:30 - 90:00 take the whole house full if you like except the jewels they're hired will that satisfy you stop please will you take these to your room I don't want to run the risk of there being missing oh hand them over if these belong to me instead of the Jeweler I should Ram them down your ungrateful throat this ring isn't the Jewelers it's the one you bought me in Brighton I don't want it now don't you hit me hit you you how dare you accuse me of such a thing it is you who have hit me you have wounded me to the heart I'm glad I have a little of
• 90:00 - 90:30 my own back anyhow you have caused me to lose my temper something that has rarely ever happened to me I am off to bed I have nothing more to say tonight you'd better leave your own note to Mrs Pierce about the coffee for it won't be done by me forget Mrs Pierce forget the coffee and forget you and forget my own Folly on having lavished my heart and knowledge in The Treasure of my regard on a heartless gutter [Music]
• 90:30 - 91:00 snipe are there lilac trees in the heart of town can you hear a Lo in any other part to town does enchantment pour out of every door no it's just on
• 91:00 - 91:30 the street where you live and oh the Towering feeling just to know somehow you are near the old overpowering feeling that any second you may suddenly appear people stop and
• 91:30 - 92:00 stare darling what are you doing here oh nothing Miss D I spend most of my time around here Freddy you don't think I'm a heartless gutter snipe do you no of course not where would you get that silly notion you know how I feel about you you know how I've written to you sheets and sheets speak and the world is full of singing and I am winging higher than the
• 92:00 - 92:30 bird touch in my heart begins to crumble the heavens tumble darling and on words words words I'm so sick of words I get words all day through first from him now from you is that all you blest can do don't talk of star burning above if you're in love show me tell me no dreams filled with disire if
• 92:30 - 93:00 you're on fire show me here we are together in the middle of the night don't talk of spring just me tight anyone who's ever been in love will tell you that this is no time for a chat haven't your hands longed for my touch don't say how much show me show me don't talk of Love lasting Through Time
• 93:00 - 93:30 make me no undying show me now sing me no song read me no rhyme don't waste my time show me don't talk Of Tune don't talk a fall don't talk at all show me never do I ever want to hear another word there isn't one I haven't heard here we are together and it ought
• 93:30 - 94:00 to be a dream sigh one more word and I'll scream haven't your hands hungered for mine please don't explain show me show me don't wait until wrinkles and L pop out all over my BR show daring [Music]
• 94:00 - 94:30 daring [Music]
• 94:30 - 95:00 [Applause] [Music] [Applause] [Music] s [Music]
• 95:00 - 95:30 with one enormous chair wouldn't it be loverly lots of chocolate for me to eat lots of and lots of face hands feed our W and it be [Music] oh
• 95:30 - 96:00 still I would never [Music] [Applause] spring someone's head rested on my knee warm and tender as she can [Music] be care of me I [Music]
• 96:00 - 96:30 morning Miss can I help you do you mind if I warm my hands go right in Miss Excuse Me Miss oh for a saying that I thought you were someone else who just ear morning nights playing tricks with my eyes can I get you a taxi ma'am a Loy like you shouldn't be walking around bled alone at this hour no no thank you morning [Applause]
• 96:30 - 97:00 someone's said on my warm and tender she can be Tes care [Music] me [Music]
• 97:00 - 97:30 L well time to go Alfie D come again D little we value your patronage always thank you my good man send the misses to Brighton thank you D little father oh look who it is it's SP a down to spy me on misery he did me on flesh and blood well you can tell him I'm miserable you can tell him that straight what are you talking about and what are you dressed up for as if you didn't know
• 97:30 - 98:00 go back to that whimple street Del tell how ruined me life destroyed my happiness what has he done to you ruined me life destroyed my happiness delivered me into middle class morality was it him or was it not him who wrote to an American blighter named Wallingford who is paying £5,000 to find the most reformed socialist in England and tell him the most reformed socialist England was a Mr Alfred p doitt a common dustman that sounds like one of his jokes oh
• 98:00 - 98:30 would might sound like a joke to you tighten the lid on me it did bloke went off and died and left me £5,000 a month in his blooming will uh Alfie in just a few more hours we have to do be the church church yes Church the deepest cut of all why do you think I'm dressed up like such a Ry Paul Bear now that I'm respectable your mother wants to be respectable she wants to marry me if that's the way you feel why don't you give the money back well that's just the tragedy of it Eliza it's
• 98:30 - 99:00 easy to say Chuck it but I haven't the nerve intimidated elizer intimidated that's what we all are now go back to your precious professor and tell him how he's ruined your life not my precious Professor oh turned his back on you has he first he delivers me into middle class morality and then shoves you off to make me support for you but you don't take a pence from me you're a lady now you can stand on your own two feet Eliza it's getting awfully cold in this
• 99:00 - 99:30 taxi if you would like to see me get shoved off it's at St George's Church tomorrow at 10:00 I wouldn't advise it but you're welcome no thank you Dad Eliza are you all finished here yes Freddy I'm all finished here good luck dad along Alfie how much time do I got there's just stuff few more hours that's all the time you've got a few more hours before that's either not
• 99:30 - 100:00 there are celebrations all over London and all I've got to track them down in just a few more hours I'm getting married in the morning ding dong the bells are going to Chun pull up a stoer let's have a Whopper but get me to the church on
• 100:00 - 100:30 time I've got to be there in the morning Spruce St and looking in me Prime girls come and kiss me show how you'll miss me but get me to the church on time if I am dancing roll up the floor if I am whistling me out the door for I'm getting married in the morning ding dong the bells are going to
• 100:30 - 101:00 chim pull up Mor rompus but don't lose the compass and get me to the church get me to the church be sure to get me to the church on [Music] time on get to mared the morning ding dong the bells are going to CH chil me or mail me fail me or mail me
• 101:00 - 101:30 but get me to the church on time i' got to be there in the morning sprued up and looking in me someoke who's aable lift up the table but get me to the church on time if I am flying then shoot me down if I sleeping get I'm out of
• 101:30 - 102:00 town for I'm getting married in the morning ding D the bells are going to CH FEA me or Tommy call out the Army but get me to the church get me to the church be sure to get me to the church on time [Music]
• 102:00 - 102:30 yeah [Music] hey [Music]
• 102:30 - 103:00 no [Music] [Applause]
• 103:00 - 103:30 [Music] oh come on here oh no he a got it [Music] uh we go [Music]
• 103:30 - 104:00 come on here we go come on come on come on me to the church on time starl feeling on to bed now morning clearing up the
• 104:00 - 104:30 [Music] sky daylight is breaking good luck [Music] goodbye yet to married in the morning ding dong the bells are going to ch and salute me andot me but get me to the church get me to the church be sure to
• 104:30 - 105:00 get me to the church on time [Applause] [Music] hey [Music] hey [Music] Pickering Pickering I don't know where
• 105:00 - 105:30 the girl went at all Mr higgy didn't she say what to send her clothes I told you sir she took them all with her what what here has a confounded thing Liza has bolted bolted yes and Mrs Pierce let her go without telling me a word about it well I'm dashed what am I to do I got tea this morning instead of coffee I can't find anything I don't know the appointments I've got Eliza would know of course she would know but she's gone did any of you gentlemen fighting
• 105:30 - 106:00 her last night you were there Mrs Pierce be hardly said a word to her pins did you bul her after I went to bed just the other way around she threw the slippers at me I never gave her the slightest provocation the slippers came bang out my head before I uted a word and she used the most perfectly of language I was shocked well I'm dashed I don't understand it she has
• 106:00 - 106:30 been shown every possible consideration she admitted it herself well I'm dashed stop being dashed picking and do something what call the police what are they there for in Heaven's name but sir you can't give Eliza's name to the police as if she were a thief or a lost umbrella why not the girl belongs to me I want to find her I paid £5 for her quite right Scotland Yard please may I have some coffee Mrs Pi yes sir good morning old chum Colonel H
• 106:30 - 107:00 Pickering here at 278 wimple street I'm calling to report a missing person anything you could do to assist in her recovery will be frightfully appreciated now I'm not allowed to influence and I'll see to it that your superiors yes Eliza do little about 21 I should say about 5'4 her eyes well they're rather neutral
• 107:00 - 107:30 color I don't know Brown piine it's brown uh Brown her hair that one's nondescript it's brown pine it's brown you heard the man Brown yes this is her residence around 300 and 4 in the
• 107:30 - 108:00 morning no no no no relation at all you could say she is a very good friend now see here good sir I'm not at all pleased with the tener of that question what the girl does here is our Affair you're Affairs to get her so she can continue doing it what in all of Heaven Can I've
• 108:00 - 108:30 prompted her to go after such a Triumph at the ball what could have depressed her what could have possessed her I cannot understand the wretch at all pins I have an old school Chum at the home office perhaps he can help I'll give him a call White 274 please yes s wage women are irrational that's all there is to that the heads of full of cotton ha and Rags they're nothing but exasperating irritating vacillating calculating agitating mading and infuriating
• 108:30 - 109:00 hags a broster budon please yes I'll wait a picker in why can't a woman be more like a man yes why can't a woman be more like a man man is so honest so thoroughly Square eternally know historically Fair who when you win will always give your back a pat why can't a
• 109:00 - 109:30 woman be like that why does everyone do what the others do can't a woman learn to use her head why do they do everything their mothers do why can't they grow up like their fathers instead why can't a woman take after a man man is so present so easy to please whenever you're with them you're always at ease would you be slighted if I didn't speak for hours no
• 109:30 - 110:00 would you be livid if I had a drink or two not at all would you be wounded if I never bought you flowers nonsense why can't a woman be like you one man in a Million May shout a bit now and then there's one with slight defects one perhaps whose truthfulness you doubt a bit but by and large we are a marvelous sex why can't a woman be more like a man man is so friendly good
• 110:00 - 110:30 natured and kind a better companion you never will find if I were hours late for dinner would you Bellow no if I forgot your silly birthday would you fuss nonsense would you complain if I took out another fellow never why can't a woman be like us
• 110:30 - 111:00 first budon please boozy you'll never never guess who this is yes it is by George what's a memory so good to hear your voice again old fellow 30 years is this really yes that's a lot of water under the uh thing uh booie I'll tell you why I called something rather unpleasant has happened on this end can I come right over and see
• 111:00 - 111:30 you great I'll be right there goodbye Mrs Pierce I'm heading to the home office I do hope you find a Kel Pickering Mr Higgins will miss her Mr Higgins will miss her blast Mr Higgins I'll miss her oh Pickering Pickering he's gone to the home office sir see that Mrs PS I'm in trouble and he runs to help now there is a good fellow Mrs Pier you're a woman why can't a woman be more like a man men are so
• 111:30 - 112:00 decent such regular chaps ready to help you through any Maps ready to Buck you up whenever you are gum why can't a woman be a Chum why is thinking something women never do why is logic never never even tried why straightening up their hair is all they ever do why can't they straighten up that mess that's inside
• 112:00 - 112:30 why can't a woman be more like a man if I were a woman who'd bent to a ball been hailed as a princess by one and by all would I start weeping like a bathtub overflowing and carry on as if my home were in the tree would I go off and never tell me where I'm going why can't a woman be like [Music]
• 112:30 - 113:00 me and do you mean to say that after you did this wonderful thing for them without making a single mistake they just sat there they never said a word to you never petted you or admired you or told you how splend did you'd been not a word that's simply appalling I should not have th the slippers at him I should have th the fire
• 113:00 - 113:30 arms mother mother Oh I thought it wouldn't be long stay where you are my dear Mother where the devil are you remember last night you not only danced with a prince but you behaved like a princess mother the mother the wor you how do you do Professor Higgins are you quite well am I but of course you are you are never ill would you care for some tea don't you dare try that game on
• 113:30 - 114:00 me I taught it to you get up and come home and don't be a fool you've caused me enough trouble for one morning very nicely put indeed Henry no woman could resist such an invitation how did this baggage get here in the first place Eliza came to see me and I was delighted to have her and if if you don't promise to behave yourself I shall have to ask you to leave you mean I'm to put on my Sunday manners for this thing I created out of the squash
• 114:00 - 114:30 cabbage leaves of Covent Garden Yes dear that's it precisely Eliza how did you ever learn manage with my son around it was very difficult I shall never have known how ladies and gentlemen behave if it hadn't been for Colonel Pickering he always showed me that he felt and thought about me as something better than a common flower girl you see Mrs Higgins apart from the things one can pick up the difference between a lady and a flower girl is not how she behaves
• 114:30 - 115:00 but how she is treated I know that I shall always be a flower girl to Professor Higgins because he always treats me as a flower girl and always will but I know that I shall always be a lady to Colonel Pickering because he always treats me as a lady and always will Henry don't you grind your teeth the vicer is here ma'am shall I show him into the garden the Vicor and the professor good Heavens now I'll see them in the library Eliza If my son begins to break
• 115:00 - 115:30 things I give you full permission to have him evicted oh and Henry dear if I were you I would stick to two subjects the weather and your health well Eliza you've had a bit of your own back as you call it are you finished now and are you going to be reasonable or do you want anymore you want me back only to put up with your tempers and pick up your
• 115:30 - 116:00 slippers and fetch and carry for you I never said I wanted you back at all oh indeed then what are we talking about about you and not about me if you come back I shall treat you just as I have always treated you I can't change my nature and I don't intend on changing my manners why my manners are just the same as Colonel pickin's that's not true he treats a flower girl as if she was a duchess and I treat a duchess as if she was a flower girl oh I see the same to everybody just so Eliza the great secret
• 116:00 - 116:30 is not having Bad Manners or good manners or any particular set of manners but having the same manner towards all human Souls the question is not whether I treated you badly but whether you have ever seen me treat anyone else better I don't care how you treat me I don't mind your swearing at me I shouldn't mind a black eye I've had one before this but I won't be passed over then get out of my way you talk about me as if I were a motorbus and so you are a motorbus I'll
• 116:30 - 117:00 bounce and go and no consideration for anyone but I can get along without you don't think I can't of course you can I told you you could you never wondered I suppose whether I could get along without you don't you try to get around me you'll have to and so I shall without you or any other human being on Earth but I shall miss you Eliza I have learned something from your idiotic Notions I confess that humbly and gratefully well you have my voice on your gramophone when you feel lonely you
• 117:00 - 117:30 can listen to the recording it's got no feelings to hurt I can't duplicate your soul oh you are a devil you can twist the heart in a girl as easily as some could twist her arms to hurt her what am I to come back for for the fun of it that's why I took you on and you may throw me out tomorrow if I don't do everything you want me to yes and you may walk out tomorrow if I don't do everything you want me to and live with my father Yes or sell flowers would you rather marry
• 117:30 - 118:00 piging I wouldn't marry you if you asked me and you're Nearer My Age than what he is then he is I'll talk as I like you're not my teacher now that's not what I want and don't you think it I've always had chaps enough wanting me that way Freddy Hill writes to me twice and three times a day sheets and sheets oh in short you want me to be as fatuated about you as he is no that's not the sort of feeling I want from you I want a little kindness I know I'm a common
• 118:00 - 118:30 ignorant girl and you a book learned gentleman but I'm not dirt under your feet sit down and be quiet that's not a proper answer to give me it's the only answer you get until you stop being a plain idiot if you're going to be a lady you're going to have to stop feeling neglected if the men you know don't spend half their time sniveling over you and the other half giving you black eyes you find me cold and feeling selfish is that it very well be after to the sort of people you like marry some sentimental hog or other with lots of
• 118:30 - 119:00 money if you can't appreciate what you've got you better get what you can appreciate oh I can't talk to you you turn everything against me I'm always in the wrong but don't you think you have me under your feet to be trampled and talked down or marry Freddy as soon as I'm able to support him Freddy the poor chap who couldn't get a job as an erand boy even if he had the guts to try for it woman do you not understand I have made you a consult for a king Freddy loves me that makes him King enough for
• 119:00 - 119:30 me I don't want him to work he wasn't brought up to it as I was I'll go and be a teacher what will you teach in Heaven's name what you taught me I'll teach phonetics I'll offer myself as an assistant to that brilliant Hungarian what that impostor that humbug that toan Inus woman you take one step in that direction and I shall ring your neck do you hear ring away what do I care that's done you enry against it ass now I don't
• 119:30 - 120:00 care that for your bullying and your big talk what a fool I was what a dominated fool to think you were the Earth and Sky what a fool I was what an adle baited fool what a muden headed adult was I no my reverberating friend you you are not the beginning and the end you fool there isn't a thought in your head or a word in your mouth that I haven't put
• 120:00 - 120:30 [Music] there there be spring every year without you England still will be here without you there'll be fruit on the tree and a Shore by the Sea there'll be crumpets and sea without VI a music will Thrive without you somehow Keats will survive without you and there still will be rain on that plane down in Spain even that
• 120:30 - 121:00 will remain without you I can do without you you dear friend who talk so well you can go to hot har food in Hampshire they can still rule the land Without You Windor Castle will stand without you and without Much Ado we can all muddle
• 121:00 - 121:30 through without you you prisen rich without your pulling it the tide comes in without your ding it the Earth can spin without your pushing them the clouds roll by if they can do without you ducky so can I I shall not feel alone without you I can stand on my own without you so go
• 121:30 - 122:00 back in your shell I can do Bloody well without bye George I really did it I did it I did it I said I'd make a woman and indeed I did I knew that I could do it I knew it I knew it I said I'd make a woman and succeed I did Eliza you're magnificent a moment ago you were a millstone around my neck now you're a tower of strength a consort Battleship I like you like this goodbye Professor
• 122:00 - 122:30 Higgins I shall not be seeing you again mother mother what is it Henry what has happened she's gone well of course what did you expect what am I to do do it I suppose and so I shall if the Higgins oxygen burns up her little lungs let to seek some stuffiness that suits her she's an owl sickened by a few days of my sunshine do without I
• 122:30 - 123:00 can do without anyone I have my own soul my own div spark of divine fire Bravo [Music] Eliza [Music]
• 123:00 - 123:30 I've grown accustomed to her [Music] face she almost makes the Day begin I've grown accustomed to the tune she whistles night and noon her Smiles her frowns her UPS her down SS are second nature to me [Music] now like breathing out and breathing in I was serenely independent and
• 123:30 - 124:00 content before we met surely I can always be that way again and yet I've grown accustomed to her looks accustomed to her voice accustomed to her face Mary Freddy what an infantile idea what a heartless Wicked brainless thing to do
• 124:00 - 124:30 she'll regret it she'll regret it it's doed before they take the vow I can see her now Mrs Freddy eford Hill in The Wretched little flat above the store I can see her now not a penny in the till and the bill collector beating at the door she'll try to teach the things I taught and end up selling flowers instead begging for her bread and water while her husband has his breakfast in
• 124:30 - 125:00 bed in a year or so when she's prematurely gray in the blossom in a cheek has turned to chalk she'll come home and lowely I'll have VAP in Runway with a social climbing AR from New York poor elizer how simply frightful how humiliating how delightful how poignant it will be on that inevitable night when she hammers
• 125:00 - 125:30 on my door in tears and Rags miserable and lonely repentant and contrite will I take her back or throw her to the Wolves show her kindness or the treatment she deserves or I take her back or throw the baggage out I'm a most forgiving man the sword who never could ever would take a position and staunchly never
• 125:30 - 126:00 budge just a most forgiving [Applause] man but I shall never take her back though she were crawling on her knees let her shiver let her moan let her promise to atone I shall slam the door and let the hellc cap freeze Mary Freddy ha [Music]
• 126:00 - 126:30 I'm so used to hear her say good morning every day her Joys her woes her highs her lows are second nature to me now like breathing out and breathing in I'm very grateful she's a woman and so easy to forget rather like a habit one can always
• 126:30 - 127:00 break and yet I've grown accustomed to the trace of something in the air accustomed to her [Music] face [Applause] [Music]
• 127:00 - 127:30 I want to be a lady in a flower shop instead of selling flowers at the corner of Tottenham Court Road but them won't take me unless I can talk more gential e said he could teach me well here I am ready to pay not asking any favor and he treats me as if I was don't I know what lessons cost and I'm ready to pay it's almost irresistible she's so deliciously low so horribly dirty I washed my face
• 127:30 - 128:00 and hands before I come I did Eliza where the devil are my [Music] slippers [Music] [Applause] [Music]
• 128:00 - 128:30 [Applause] [Music] a [Music] [Applause] [Music]
• 128:30 - 129:00 [Applause] [Music] la [Music]
• 129:00 - 129:30 [Applause] [Music] w stays mainly in the plane but in Harford
• 129:30 - 130:00 harrisford and Hampshire hurkins hardly ever happen excuse me um I have a latte for a Ela oh is there an Ela here I am yes thank you and a mocha for a Mrs smigin Mrs smigin here me but sir it's early in the morning what better time to work than early in
• 130:00 - 130:30 the morning where does one go for a lady's gown are you stupid or what you're famous the world is your a your accent changed H yes in is a fancy Clan with the poil inside by the way you rubbed uh you rubbed this book three times and it came out of the book the boy gives you a little Creek in the neck doesn't it thow the book down not going to [Music]
• 130:30 - 131:00 lie well tals in luck cuz up your sleeve you got a B magic never fails you got some power in your corner now some heavy ammunition in your cam you got some punch Paz yeah who and house all you got to do is rub that lamp and I'll say Mr so what will your pleasure be let me take your auto drw it down you ain't never had a friend like
• 131:00 - 131:30 me life is your restaurant and I'm your m e come on whisper what it is you want you ain't never had a friend like me yes sir we pride ourselves on service you're the boss the king the sh say what you wish it's yours to Bish a little more botle of us have some of column a try all of colum B I'm in the mood to help you dude you ain't never had a friend like
• 131:30 - 132:00 me oh my oh no oh my your friends do this H buug that's to and inis woman you take one step in that direction and I'll ring your neck do you hear ring away what do I care that's done you enry againsted ass now I don't care that for your bullying and your big talk come on play [Music]
• 132:00 - 132:30 play I'm doing all right for myself folks I'm healthy I'm wealthy I'm wise my investments and such have all gone up so much seems whatever I
• 132:30 - 133:00 touch starts to rise I've got men I've got money and yet the thing I most I can't get [Music]
• 133:00 - 133:30 I live in a mansion on Long Island Sound I pulled up a weed they found oil in the ground but you telling me you don't want me around now honey that's rich some guys give me herb and Cha and mink and some give me me diamonds as big as a sink but you wouldn't give me so much as a wink now baby that's rich I get candy
• 133:30 - 134:00 from [Music] Andy I have often walked down this street before but the payments always stay beneath my Fe before all at once and all several
• 134:00 - 134:30 stories no I'm on the streets where you live on the lilac trees in the heart of town can you hear a lock in any other par town doesn't Che vior out of every door no it's just on the street where
• 134:30 - 135:00 you live and oh the toing feeling just to know somehow you are near the old overpowering be that any second you may suddenly appear people stop in
• 135:00 - 135:30 St daring what are you do here oh nothing I I spent most of my time around here oh don't laugh at me Miss but I um than you can you please leave no why would I leave you you know how I about you speaking the world is full of singing and I ringing High than the
• 135:30 - 136:00 bird T and my heart begins to crumble the hav test pigeon [Music] ow [Applause] hear them down and so Square dropping ages anywhere speaking English any way
• 136:00 - 136:30 they like hey you sir did you go to school they never to and tap instead of TI here corn worse here yor men worse I'd rather here quiet singing FL chickens cackling in a b just like this one g wow what a word
• 136:30 - 137:00 wow