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Summary
In this captivating discussion, branding expert Marty Neumeier takes center stage to unravel the complexities of branding. Hosted by The Futur, this episode dives into Martyβs journey from a budding commercial artist to a leading authority in branding. He shares insights into the evolution of his career, the art of specialization, and the profound impact of thoughtful branding on business success.
Highlights
Marty Neumeier emphasizes that branding is a customer's gut feeling, not simply a logo or product. π
Specialization in a specific field can significantly increase your value and price point in the market. π
Marty shares his journey from a commercial artist to a branding expert, highlighting the role of language in design. βοΈ
The transition from financial struggles to charging premium prices by specializing in software packaging. π
The importance of understanding business to align creative work with business goals and strategies. π―
Key Takeaways
Branding is not just a logo or a product; it's about creating a gut feeling in customers. π
Specialization can make you incredibly valuable, allowing you to charge premium prices. π°
Understanding branding can transform creative skills into powerful business tools. πͺ
A brand is a reputation, shaped by customer perceptions. π§
To have a greater impact in the world of business, creatives need to learn the language of branding. π
Overview
Marty Neumeier, an influential voice in branding, takes listeners on a journey through the nuances of the discipline. He starts by clarifying common misconceptions, stressing that branding is not just about logos or products but about creating a meaningful connection with customers. Marty eloquently explains how a brand is essentially a reputation shaped by the perceptions and feelings of its audience.
Throughout the discussion, Marty opens up about his personal journey and pivotal moments in his career. From being the only graphic designer in Santa Barbara to dominating the Silicon Valley market with his specialized approach to software packaging, Marty shares how honing his craft and understanding branding empowered him to succeed and quadruple his business.
Marty also offers invaluable advice for creatives wanting to deepen their impact and value in the business world. By understanding the language of business and branding, creatives can not only improve their strategic influence but also transform their professional path, charging for their expertise rather than their hours spent.
Chapters
00:00 - 00:30: Introduction and Welcome to Marty Neumeier The chapter introduces Marty Neumeier, a renowned figure known for writing eight books on branding. The chapter promises an engaging discussion on Marty's career, current activities, and the reason for the conversation. It kicks off with a welcoming exchange between Chris and Marty, highlighting the excitement of having Marty on the show.
00:30 - 01:00: Importance of Workshops and Upcoming Events This chapter discusses the importance of workshops and highlights an upcoming event called 'The Brand Masterclass.' The conversation hints at the initial setup and intention behind having workshops and the benefits they offer. The host emphasizes the opportunity for listeners unfamiliar with the guest or the event to learn about the workshop, which is scheduled to take place at the end of February. The narrative sets a collaborative tone and underscores the promotional aspect of the guest's involvement in these workshops.
01:00 - 02:30: Marty Neumeier's Early Life and Career Beginnings The chapter covers Marty Neumeier's early life and career beginnings. It highlights an exciting yet sold-out class, suggesting that those who missed it have lost a valuable opportunity. The next chance to learn from Marty Neumeier would be through a two-day workshop in Philadelphia, which includes a certification component. The workshop is highly recommended, and links for registration are provided. The chapter sets the stage for deeper discussions on branding concepts such as 'the brand gap.'
02:30 - 05:00: Challenges and Experiences in Santa Barbara The chapter titled 'Challenges and Experiences in Santa Barbara' delves into the history and changes of an arts program. The narrator reminisces about the arts center back in the sixties when it operated in a former girl's school in Hollywood, known for its distinct pipe tobacco aroma. The discussion reflects on past conversations, debates, and misunderstandings surrounding the program, inviting the listener to think about how these past experiences have shaped the present. Through nostalgia and reflection, this chapter paints a picture of evolution within the arts community.
05:00 - 10:00: Move to Silicon Valley and Initial Challenges The chapter discusses the author's move to Silicon Valley and the initial challenges faced. The author reflects on influential teachers, particularly a design teacher known for his distinctive style, which included smoking a pipe and wearing a wool vest. The educational environment was enriching, with working professionals as teachers, opening up a new world for the author. This environment was crucial to the author, who had aspired to become a commercial artist since the age of seven.
10:00 - 15:00: Specialization in Design and Its Impact The chapter begins with a personal anecdote from an individual who knew they wanted to pursue a career in design from the age of seven. Despite skepticism from others, they were determined to follow their passion. The narrative highlights how early aspirations can lead to a strong sense of identity and purpose.
The chapter also touches on the individual's educational journey. Despite the lack of a specific graphic design track in their education, they remained committed to their goal. This illustrates the importance of specialization and how personal dedication and passion can drive professional growth, even in the absence of formal educational paths.
15:00 - 21:00: Key Stories of Success and Specialization The chapter explores the evolving landscape of career choices in the art and design field during a transitional period. Initially, the options were largely limited to advertising and illustration, yet there was a burgeoning interest in graphic design which was not formally recognized at the time. The educational path described by the narrator involved taking courses in both advertising and illustration, suggesting that he believed graphic design lay at the intersection of these fields. Despite the enthusiasm and educational value of the experience, financial constraints ultimately curtailed the narrator's pursuit after two years, citing a semester cost of $50 as unaffordable at the time.
21:00 - 25:00: Branding Definitions and Misconceptions The chapter titled 'Branding Definitions and Misconceptions' begins with a discussion on the increasing costs of education at Art Center, which has now reached $22,000 per semester. The speaker emphasizes this point to underline the financial aspects involved in branding and marketing, which will be elaborated in later sections.
The speaker reminisces about the past costs of education and work, highlighting how certain opportunities were financially inaccessible to many, including a person named Marty, due to the relatively high costs even back then. They mention that their first significant project after graduation was a successful campaign where they earned $50 per advertisement, a noteworthy sum at that time, implying the high value and impact of branding work.
25:00 - 31:00: Understanding Customer Engagement and Branding Ladder The chapter titled 'Understanding Customer Engagement and Branding Ladder' begins with a personal anecdote about the speaker's early career days. It details their move to Santa Barbara after leaving school and getting married. The speaker started a freelance graphic design business when the industry was still budding, and they were the only graphic designer listed in the local yellow pages. This illustrates the early challenges and entrepreneurial spirit in building a brand.
31:00 - 35:00: Lessons from Marty Neumeier and Opportunities in Branding The chapter discusses the challenges of being a graphic designer, particularly in communicating the value of design to potential clients. The speaker reflects on the importance of conveying the business value of design, a practice which set them on their professional path. The industry stereotype is highlighted, where graphic designers were often considered mere commercial artists, rather than serious professionals.
35:00 - 41:00: Discussion on Books and Continued Learning The chapter opens with an exploration of the speaker's current work in explaining business concepts and the interaction between design and business. The conversation shifts to discussing the speaker's clear and effective writing style, which is known for simplifying complex ideas. The listener expresses curiosity about how the speaker developed this writing ability and whether it was self-taught.
41:00 - 47:00: Specialization, Success, and Personal Stories The chapter discusses the importance of language in graphic design and communication design. It emphasizes that even if you are not focused on writing, good language is crucial for creating successful and impactful designs. The speaker shares a personal insight that they cannot achieve award-winning work without strong writing accompanying their designs, as poor writing can diminish the overall quality of the work.
47:00 - 50:00: Writing and Articulating Ideas in Branding The chapter 'Writing and Articulating Ideas in Branding' focuses on the integration of verbal and visual elements in branding. The speaker emphasizes that words and pictures must work together to create a more significant impact, essentially where 1 plus 1 equals 3. The process involves learning from award-winning brand works to understand how these elements harmonize. The speaker shares a personal journey of self-teaching in this aspect, noting the challenges involved. Unlike the more enjoyable process of graphic design, the speaker finds writing to be more arduous yet essential in creating effective branding. Graphic design is compared to eating candy β immediately satisfying and more straightforward.
50:00 - 52:00: Latest Work and Future Plans This chapter discusses the author's evolving relationship with writing. Initially, writing was exhausting and challenging, taking a long time before it became enjoyable. Despite the difficulties, the author found satisfaction in producing good work, especially when it won awards. The experience of handling both the written and visual aspects of communication taught valuable lessons and influenced future thinking about work and creativity.
52:00 - 54:00: Conclusion and Closing Remarks The chapter discusses the challenges of connecting design to business outcomes. The author reflects on past experiences where clients did not clearly communicate how design contributed to their success. This lack of transparency required the author to actively bridge the gap and understand the client's business objectives independently. By doing so, the author was able to engage meaningfully in discussions, ensuring alignment between design solutions and business goals. This reflection emphasizes the importance of communication and understanding in fostering effective design-business relationships.
What is Branding? A deep dive with Marty Neumeier Transcription
00:00 - 00:30 flip of scramble the brand dictionary a
total of eight books I believe eight books he literally wrote the book on
branding he's here you guys want to stick around for this
episode we're gonna get into a lot of things how he got started what he's up
to today and why are we even having this conversation
so let's get right into Marty Neumeier welcome to the show oh thanks Chris it's
great to be here The Futur yes in the Futur is definitely here I can see it
00:30 - 01:00 smells like $1 bills or fresh printing
or something like that okay so why are we talking today when I set the tone
intention initially it was because you and I were producing a workshop here or
at least I shouldn't say produce and we're hosting the workshop that you're
having here at the end of February called the brand masterclass and I
wanted to have you on so in case somebody who's been sleeping under a
rock somehow and they haven't heard about you or the workshop this would be
a great opportunity then to find out
01:00 - 01:30 about this but the class is sold out you
guys snooze you lose so the next opportunity to see Marty in the United
States do is two-day workshop which there's a certification part which is
incredible is in Philly yeah that's your next best time our best opportunity to
do this so you guys will include the links in the description below if you
guys want to attend that to go to Philly I'm gonna tell you this is something you
do not want to miss I agreed to host this just because I want to learn from
the master himself now before we get into all the brand gap the brand
goodness and definitions and
01:30 - 02:00 misunderstanding and dialogue
conversation and debates that have happened prior to this I want to take us
back in time so whenever whined the tape because we were just talking we're both
Arts Center people know you have a few years ahead of me and the program was
very different back then take me back oh tell me about our
senator sixties was a really cool place to be it
was in an old used to be a girl school I think in Hollywood third Street and it
smelled like pipe tobacco because every
02:00 - 02:30 you know design teacher our teacher
there smoked a pipe probably wore a wool vest ya know you know but it was a cool
place and you get a lot of teachers who are actually working professionals and I
mean it was a lifesaver for me because my world opened up when I finally got to
do what I always wanted to do which was be commercial artist at 7 years old I
had put my stake in her hand in grammar
02:30 - 03:00 school and that's what I wanted to be
and I stuck to that the whole did you knew that a 7 I knew it at 7 years old
yeah and everybody said what Wow you're heading for time for sure well you know
you get these ideas in your head and you just you know it becomes who you are and
so that's that's you know I'm just you know marking my days until I get to be
good alright so anyway it was a great place to be
there was no graphic design track they
03:00 - 03:30 didn't use that term really it was just
sort of coming out at the time they had you could go into advertising or you
could be an illustrator and so I took both of those figuring that graphic
design was somewhere in there you know and later they added the graphic design
program but a great experience I lasted two years until I couldn't afford it
anymore because it was $50 a semester
03:30 - 04:00 okay just for context you guys Art
Center semester now is I think somewhere on $22,000 no spacer and this is
important to note because some of the things what we are talking about later
about money and what we charge just keep that in mind
all you young whippersnappers out there it would used to cost $50 and Marty
could not afford it yeah but my first really big job after I
got out really great campaign that I worked on I got $50 per ad
so oh I made Wow I mean I made the whole
04:00 - 04:30 thing back okay yeah so were you living
in LA at this time going arts at that time I had moved I left school I went to
Santa Barbara got married okay okay started a freelance business there were
no designers no graphic designers you go look in the yellow pages where you'd
find people and there's nothing so I had to actually have them put that in there
for me and I was the only one oh my god the graphic designer
heading and I had to as part of my job
04:30 - 05:00 as being the only graphic designer
I had to explain it to would-be clients I had to tell them what it was and why
they should pay any money for it at all and they so you're like yeah you're a
commercial artist oh you know that's that's old-school no we were serious
professionals now explain why it's gonna be good and that that that exercise of
having to explain it like what's the business value of design was really good
and I think that probably set me on this
05:00 - 05:30 course of what I'm doing now is
explaining all this stuff and how business works and how design and
business interacts connects together mm-hmm
what what's surprising for me to hear the story is I know you mostly through
your books and through your writing and just how clear you write how you
articulate very complex ideas that are very tangible and just very easy to
digest so how did you develop this ability to write did you teach yourself
how what is come from yeah I mean it's
05:30 - 06:00 comes from writing okay and one thing I
have to interject before I answer that question is that what I've noticed about
graphic design and probably other kinds of communication design is that language
is super important and even if you're not the word person hmm so that's what I
discovered pretty early is that I can't do really award-winning cool work unless
I have good writing to go with it because it'll drag it down to a lower
level if it's not great yeah and you
06:00 - 06:30 know the words and the pictures have to
work together so what 1 in 1 gives you 3 so how am I going to do that and I just
started you know really looking closely at how award-winning were
sounded looked like you know how the words and pictures went together I
started just teaching myself how to do it I didn't really like doing it I
didn't like writing was hard it was harder than graphic design mmm I mean
graphic design is like eating candy it's like you have a piece of candy and it's
really good so you want another one
06:30 - 07:00 right and writing is like oh god I'm
tired after that one that's like took everything out of me so it took many
many many years before writing was pleasurable at all but I always did like
it when it came out well and when I made my work look really great it was just
like yeah and then you know who would win awards and so I you know I had that
experience of doing it all and having control over both sides of communication
the words and the pictures and and that really taught me a lot and it started
leading me into thinking about how other
07:00 - 07:30 things connect you know how does design
connect with business where's the connection because my clients didn't
really see it right and I wasn't sure exactly how I was contributing to their
business mm-hmm because they wouldn't tell me really what their business was
or how they were achieving success and so I had to figure that out so that I
could be in that conversation so many while we're on there sometimes so many
people in our audience in our community
07:30 - 08:00 have a really difficult time answering
that question what value does design or writing creativity have on a company
because they're feeling that pressure of doing work for less and they don't even
know how to articulate that so here are in the 60s 70s in Santa Barbara and
you're already figuring this stuff out how could you advise or help some of
these young younger people that are out there right now who have a hard time
communicating what is design what's the value of it I would love to hear from
you yeah well you know so so business
08:00 - 08:30 has its own names you know I mean it's
it's really profit driven there's more to it than that it's not just money
money money shouldn't be and design has its own history and we all love that
history and we want to be like those people that we admire in our business
and if it's a new whole new thing we want to be the leaders in that but it's
kind of divorced from business unless you
connect it yourself and that place that it connects is branding that's the area
where everyone plays together right so
08:30 - 09:00 whatever skills you have as as a
designer as a creative person they become weaponized when you understand
branding suddenly you know where to aim those skills that talent you know so
it's it's a force multiplier it's like you know so once I understood that
branding is the area where we can all play together and and we understand each
other's business and what we're doing together probably made me about ten
times as valuable as I was when in the
09:00 - 09:30 early days when I was just copying what
Milton Glaser did more Paul ran before him you know so I actually knew how this
hopefully award-winning work would actually be driving business forward and
I could explain it from my little corner of what they were doing how I was
helping them and then they'd appreciate it more paid me more let me into more
parts of the company that I wasn't in
09:30 - 10:00 before so I realized that even though
business wasn't something I was ever really very interested in I had to be
interested in if I wanted my work to be great so many questions here I feel like
I'm gonna splinter into a thousand parts and pieces here in that the term
branding I think unfortunately has become some like people use it
interchangeably with logo design identity design or even sometimes
typography and maybe we need to set the
10:00 - 10:30 record straight and I I know you're the
best person to tell us what is branding Marty yeah so let's start with what
branding isn't okay it's because it's not a lot of things people say it is yes
it's not a logo okay a logo is a very useful tool for a business but it's not
the brand it's a symbol for the brand a brand is not a product so when people
talk about this brand buying this brand or that brand they're really talking
about buying one product or another product to Brandis not that
people say the brand is a promise the
10:30 - 11:00 company makes to customers and there's
some truth in that yeah I mean it it does end up acting as a promise but
that's not what it is either advertising people like to say well it's the sum of
all the impressions that a company makes on an audience yeah well you know if
you're trying to sell a lot of impressions I can see where that might
be useful to you but from a business point of view why do they want that so
and how does that help people understand
11:00 - 11:30 what they're doing so none of those
things are really what branding is a brand is a result it's it's a customer's
gut feeling about a product a service or a company it ends up in their heads in
their hearts right they take whatever raw materials you throw at them and they
make something out of it but it's there making it there creating it and so in a
sense when you create a brand you're not
11:30 - 12:00 creating one brand you're creating
millions of brands like however many customers or people in your audience
each one has a different brand of you so brand is like a reputation all right so
it's your business reputation and everyone's gonna be a little bit
different about what that reputation is and that's okay as long as you have a
you've got it corralled it's mostly where you want it and that it's
beneficial to the company so we tend to look at companies and designers tend to
look at branding as from our point of
12:00 - 12:30 view like we're this is something we're
doing we're telling a story where we're making a claim or you know we're making
a pitch and and that's what we do but that's not what a brand is a brand is
the result of that and if you don't start there you don't know what you're
doing you actually don't know what you do you think you know what you're doing
but you don't so from a designer's point of view I mean I always tended to be
this way it's like I just had a it was
12:30 - 13:00 my gut feeling right about whether this
is gonna work or not and then I would sell it as hard as I could get the
client to sign off on it from the clients point of view they're going well
it's a checklist I got you know I got the logo I got the out
the tagline I got the ad campaign click check and they think they're done right
none of that's right you know what's right is what happens in people's heads
like what are we achieved like what's the reputation that we've created
through the products were putting out
13:00 - 13:30 and the design of the products the
messaging we're putting out the look and feel of them our culture you know how
does that affect people how our how our employees behave you know how is that
affecting our reputation all that stuff counts so it's a big world and it
actually takes in almost all of the business not so much finance but finance
is involved too because finance has to green-light all these things but almost
everybody in a in a company is you know
13:30 - 14:00 affecting the brand doing something with
the brand doing it for the brand or hurting the brand so you you got to
think of it that way now this is not well understood so anybody who gets this
and can explain it is in a very powerful position with the company nice and
designers are just naturally good at this like if we opened our minds to it
and learned a few skills learned a little bit more about business we
suddenly have a lot more control over
14:00 - 14:30 how our work is perceived by our clients
how it works in the marketplace how much we get paid for it
and at some point when you get really good at this you don't have to charge by
the hour you charge by the results and or or not even that use charge for being
involved that very highest level and it can be huge amounts of money so the the
range of like starting out as an hourly performer getting up to where you're an
expert in something is huge I mean that
14:30 - 15:00 the difference is like these millions of
dollars in your income so it's worth doing is what I'm saying so no matter
what skills you have creatively if you find out how they apply in the world of
branding they're suddenly more valuable same skills but you will be doing it
differently and you'll have the confidence that you're doing it really
really well and you can explain why oh yeah I could I do you want to say one
word because that was perfect this is
15:00 - 15:30 unscripted Marty's just talking from
decades of experience and writing and articulating this it's very clear to me
I'm trying to imagine myself in the audience right now listening to this
like you mean I could to have a more profound impact on the business Marty
are you saying there's more to this branding than the logo or the product
and and then it's like you're talking about business and I can make more money
I can charge for the result or even my involvement this sounds very exciting so
if they're watching this and they're in
15:30 - 16:00 the traditional graphic design space and
they make things visual what are some easy like let me just get started in
this well drive to learn how to write do I have to take a business course or get
a business degree point me in the right direction maybe not the whole plan but
just help me out you know the business degree is interesting I've talked to
some people who sort of learned how to do their craft and then they've taken
business like MBA classes and I think that's really helped a lot but you have
to figure out how to put those together
16:00 - 16:30 because you're not going to hear
anything about design and an MBA class nothing zero zilch they don't want to
think about it right yeah so it's your job to get them to think about it so
that's why I wrote my books I would just say start there anybody else who writes
books like mine if there are that many people but where they're trying to
connect creativity and business that they have you have to connect them and
you can figure this out yourself but I
16:30 - 17:00 think it helps to get you know inspired
by it and get a few principles under your belt and then suddenly the world
will open up for you and you go oh my god it's like I'm really powerful if I
if I understand what I'm doing right yeah Paul Rand the famous graphic
designer told me that when I this magazine hear critique I did this for
five years until it almost killed me and sort of similar ideas like how can I
bring designers closer to being
17:00 - 17:30 masterful yeah like you know how do I
teach them about business like how do we talk more about the ideas
behind design instead of just the look and feel of it yeah
and when I did the first issue I sent it to Paul Rand who was old at this time he
was I didn't know it but he would only live a few months after that Allah and
he looked at the magazine he says yeah yeah that's good you got some good
people in here if I were you I would just like only show good work don't show
any bad work don't show crap like those
17:30 - 18:00 other magazine it's just you know do it
he's kind of like that cigar chewing yes rough sort of person he says you got to
teach designers what they're doing that's what he said
and I thought gosh that's right I mean I really didn't know what I was doing and
nobody ever gave me that advice before I did get some really good advice when I
was a young designer I went to a poster be a neol in Colorado where they have
this annual no B annual poster
18:00 - 18:30 international poster conference
competition and the winners are there and you're meeting these famous people
that you know have been in graphics magazine and so forth
and I was just really excited to to have won an award and be talking to those
people and I ran into you know or I'll have our plates of food and we're sort
of schmoozing and everything and I run into this old guy he seemed like he was
probably 90 but you know - he's probably
18:30 - 19:00 only 70 I was pretty young so 25 or
something and he says so you're uh what do you do you're like a you're a
designer yeah yeah I was a designer - I used to art direct graphics magazine
when it first started I said whoa I think I've seen your name before he goes
oh yeah you know let me I'm you know almost retired I mean I'm still working
and everything I love it but let me just give you young let me give you a piece
of advice and I said okay he said okay
19:00 - 19:30 just kind of telling you one or two
things about how you work I said all right he says well so you work at it
like at a desk or a table I said yeah yeah I have a table
with a drawing board on it so that's good says okay is the table like up
against the wall like you're facing the wall or is it out in the middle or so
well it's kind of like it's one side of
19:30 - 20:00 its against the wall and then it's
sticking out into the space okay oh yeah that's good that's good okay so here's
my advice when you finish your sketch or your drawing or your work whatever
you're working on get up and go to the other side of the table I said yeah just
know that's it it took me about a minute to like uh-oh
alright I get it look at it from the other point of view and he goes exactly
mmm exact ammo he says French so so I I
20:00 - 20:30 just thought that was charming and
wonderful and I thought you know that's that's a great metaphor for really what
we should be doing we have to look at our work from the readers point of view
the users point of view the clients point of view we cannot look at it just
from our own point of view it's just not gonna is it's not gonna get us anywhere
we have to look at it from a different point of view so I think that stuck in
my mind for a long time and eventually
20:30 - 21:00 that's why I started testing my work I
wanted to make sure that I actually nailed it because it's gonna get judged
right sooner or later it's gonna be judged in the marketplace so what if I
could get judged before it goes in the marketplace and correct it we're gonna
get into more of that I just want to make sure the program or the YouTube
community that's tuning in to watch Jonah and Mark are checking out your
questions and the questions that are
21:00 - 21:30 relevant to what we're talking about
we will bring up to Marty now this idea of testing is going to make a lot of
sense in a little bit but before we get there we're going to do like a Quentin
Tarantino style edit here we're gonna take you back to Santa Barbara and then
you move to Silicon Valley at some point I think you said you spent 15 years in
Santa Barbara and basically the only listing under graphic design in the
yellow pages young people will know what we're talking about but I know what
you're talking about you decide to move to Palo Alto and you're gonna work there
I think something there
21:30 - 22:00 specials happening with Steve Jobs and
Apple and all that kind of stuff take us like what what made you go out there how
did you relocate your business how do you get business I want to know it was
such a wrenching change or my wife and me and our daughter because we lived in
Santa Barbara and even though it's very difficult from a business standpoint it
was beautiful from a living standpoint and then we had to leave that to make
enough money to send our daughter to
22:00 - 22:30 college eventually you know and so that
was that was the tough free but we just weren't getting anywhere so yeah so I
started hearing a lot about Palo Alto Silicon Valley and it seemed like not a
big thing to me at the time you know but then I talked to a few people who are
like investors and stuff and they were saying like no no Silicon Valley is like
hot hot hot it's like and we're and at the time we were in a recession the rest
of the world was in the recession
22:30 - 23:00 Silicon Valley's hot you're kidding me
no yeah I mean you don't know what's going on there so I started just looking
around it like what companies were up there I mean there was no internet or
anything so there is no way to easily find this out me were they even computer
I mean one year we thought well the reason I wanted to move is because the
Apple Macintosh well it's almost ready it was ready to come okay they had to I
saw the Lisa ok apples team brought the Lisa to Santa Barbara and in this trade
show that had like three booths and they
23:00 - 23:30 were all just these like little desk top
funny desktop computers and then they des this beautiful one with the
beautiful graphics and I went oh my god where did this come from Palo Alto right
Silicon Valley yeah so I started looking at you know what companies were up there
and I saw all these like Atari was up there and Hewlett Packard and and then I
started looking finding them on the map
23:30 - 24:00 and I think these are like all within
like I don't know five square miles all of these companies think these are the
clients that you know they're right there
all I have to do is like move in and say I'm here you know and say that's what we
did and it was just that easy I mean I mean we started with a phone
number only that's just a testament you could get a phone number that that
looked like it was from that area yeah really rang in your you know that's
so that was a nice tricky little thing and so I'd get calls all right call I'd
cold call companies and say can I show
24:00 - 24:30 my portfolio because that's what you did
and they'd say yeah you know so I called Apple I said yeah yeah so I said can I
show my portfolio and I got like the creative team they said yeah come on in
how about Monday morning so I get in the car you know Sunday night and I Drive up
and I stay over at a friend's house you still can't know that right because they
got to think I'm local or they're not
24:30 - 25:00 gonna give me any work so I just drive
up and I stay overnight and I get there and they forgot about the appointment I
can miss I only have to drive that didn't mean anything to them right to me
it was like everything right so you know so I but I I made that work I landed Sun
Microsystems I got Atari I was wonderful we're from Atari from Santa Barbara and
then I installed one of my former
25:00 - 25:30 employees up there and a little one of
those like you know workspace offices where you get a cubicle yeah and she was
doing more work than I was getting in Santa Barbara so I said okay that says
it we got to be there yeah we packed up the kid and the parakeets and the cats
and the dogs drove up there was this horrible horrible thing the daughter
hated its he was just starting high school oh it's just like she just was
really wrenching yeah but as soon as we
25:30 - 26:00 got there it was like the just the roof
filling with work and you know all I had to do is say look this is where I
started to realize specialization it was a really powerful case I mean and I just
I just said this is a big lie you know sort of fake it to you make it that's I
I told clients look all I do is high-tech that's all I do other
designers they'll do a little high-tech then I'll do a museum you know they mean
they're just not dedicated to this I'm
26:00 - 26:30 all about high-tech like I had done
leave me two jobs for tech tech companies but I could show those two
jobs yeah so I and they said hey that's great cuz nobody really you know takes
this stuff seriously and I got a lot of work and then and so
I said this is totally working right and my income quadrupled first year yeah so
all I did is bring the same as I had to a different place literally yeah into a
situation where there was a framework
26:30 - 27:00 for it mm-hmm so you did a couple of
really smart business things may ask like at that time how old you are your
daughter's in going into high school so she's like 15 years old yes back then
must have been 30 early 30s early thirties okay so here you are in your
early 30s you realize you got to go where the client is they ain't coming to
you you also did something that most designers would never do you had the
guts to pick up the phone and just call people and say hey I'm in town I ever
did I'm just you know they say that if
27:00 - 27:30 you're if you are if you run a business
you're probably an extrovert and I think you need to be but I think a lot of
designers are not born extroverts so they have to learn to be extrovert or
fake it yeah like just force themselves to be extroverted when needed right and
that's that's what I did but you know what makes that a lot easier is if you
have something that the person on the
27:30 - 28:00 other side of the fence or the phone or
or the computer really wants it's it's not a cold call it's a very warm call so
you just have to have that thing mm-hmm and be able to express it so you know so
I would say look you don't know me but I'm an award-winning designer like I
thought that meant something maybe you did at the time
yeah and I only do high-tech and I'm doing identities and advertising and
just like everything for small start-up
28:00 - 28:30 technology companies and I just like
love to show you what I've done for X and X you know Sun Microsystems Atari
Apple because I was involved in the launch of the Macintosh Plus so I had
some things to show there and it was like yeah come on over so there was just
really not this sort of distance like there is now oh and like there was for
me if forever until I had something I could specialize in and say look this
thing is what I own right nobody else
28:30 - 29:00 does this if that's what you want we
need to meet and I would yeah okay or they would said no we don't need
anything now and that's fine right later they might I have so many questions
about what was your what was your instinct or what drove you to say of all
the things I can sell it seems obvious now but back then I'm just gonna tell
people I do high-tech and I only have two things that are my belt I mean and
it's pretty awesome that you figure that out because again just like you're and
I'm seeing patterns here you go to Santa
29:00 - 29:30 Barbara like I'm holding graphics on I'm
just gonna take over this category and then you go to Palo Alto it's like a lot
of computer companies I should just tell mom high tech I mean where do I come
from and how did you know like that's what I want to say because so many
people are afraid that by staking a claim or specializing they're limiting
all these opportunities when it's actually the opposite I couldn't have
said it better I mean it's it's counterintuitive isn't it so you know as
a designer you're creative and people
29:30 - 30:00 who are creative like they do lots of
things yes I mean they want to be Leonardo da Vinci I mean really won't be
Renaissance people yeah and it's fun to do that but the world
doesn't want that from you and so I had to understand that and I I
think I understood it like in the first 10 years of being a designer
I'd watch how illustrators got famous so in the old days I don't think there are
any illustrators of the way they were then but you know you had all these
magazines and you know there's Playboy magazine you always wanted to be in that
one because it got a lot of readership
30:00 - 30:30 yeah so an illustrator if it would
settle on it one style one look yeah was unique and cool
and then that illustrator like got hot and within five years was dominating it
and then and then had another five years until they would be out of business
basically because everyone had seen everything they could do and it just the
world moves on so there's like a 10-year career yeah that they could and if they
wanted to change after that and adopt
30:30 - 31:00 another style they could probably have a
second act but I'm thinking well I don't want to be
the kind of person has a ten-year career but I have to admit they really get
successful fast yeah by doing one thing and I said what if I applied that to
something else about my business like the kind of work I did or the kind of in
this case Silicon Valley case the kind of business that I specialized in so
that I get a lot of word-of-mouth
31:00 - 31:30 so if people say oh you need to design
it this guy did our whole everything he did the whole thing it's like amazing
like brought us from nowhere to being highly visible you got it here have-have
my guy yeah and so that was my original idea when I got there and then I found
out that actually Silicon Valley was moving past that really quickly and it
was so big getting so big so fast that that was no longer specialty it was that
was too general to say no I do identity
31:30 - 32:00 and everything for a company like I do
all their communication because software companies didn't talk to hardware
companies who didn't talk to chip companies didn't talk to you know I mean
they were all separate little universes and you had to pick one so so eventually
I decided that I would be the guy you go to if you need retail software packaging
which was just starting out it was just starting and it was like I really didn't
want I want to specialize but I could
32:00 - 32:30 see why it worked you know you know it's
like it just makes the decision so easy for clients they go well we need this we
got this checklist we need the package who's gonna do that who does these
things Joe go find that go find the package designer and they go out and get
land or somebody and I say no I'm gonna be the guy that does it and and that
means I have to do only that or at least that's what I say that's I
have to say right if I do other things I'm just not gonna show those things I'm
just gonna master this and I'm gonna be
32:30 - 33:00 obviously mastering it so that I can
prove it and and then I'll get it all for as long as that lasts mm-hmm
so that's what I did and that worked amazingly well and it was only about two
years before we were charging more than Landor and more than anybody actually
because Lando didn't know what they were doing and couldn't you couldn't explain
why they were doing what they were doing I went to get into all that mark you
flagged me you're like make a little
33:00 - 33:30 signal and then I'll acknowledge you
just give me one second I do want to talk about this a little bit just to
kind of re articulate what you've said there's a lot of stuff to absorb here so
you started out kind of broad as I'm a graphic designer communication
advertising guy and you thought that was specialized enough no maybe he's just
identity designer or maybe it's just for high-tech industry and then it became
software retail packaging they just you went near all business software business
business software retail packaging guy
33:30 - 34:00 so if somebody needed that there was one
game in town that was your game yeah can you dominate it and you win against and
people don't know this land or such I enormous operation a multinational
corporation right it's just high prices too high prices okay
the market we have a question either on branding or specialization or something
like that go ahead mark effectiveness of branding in terms of ROI okay that's a
good question yeah so traditionally
34:00 - 34:30 people say you can't you can't measure
it because it's too soft it's it's it's too amorphous but you can measure it in
terms of engagement with with customers and you can measure that from year to
year and it's cheap and it's almost free to do any company wants to do it my book
the brand flip has a really good formula for that and it's called the brand
ladder mmm it measures how people move
34:30 - 35:00 up from
how they how they regard your company's so how your reputation is doing so there
it is there's the brine Lander yeah so Chris what's a crime with a
letter bottom of the ladder is satisfaction right so our customers
satisfied with with the company and what they put out well that's pretty low bar
these days right yes satisfied means yeah they did what ya do and you know I
you know maybe I'll buy it again it
35:00 - 35:30 feels like that then from there you go
up to what the next step up is delight delight
so delight is when you're going wow I didn't know it'd be this good this is
really cool and I'm gonna tell my friends alright so you can measure that
and the next one is engagement engagement so engagement you're like
it's a customer going I love this company and I really feel like I belong
with this brand with this I love this product let's say Apple I really an
apple person I really just buy
35:30 - 36:00 everything they come out with because I
know it's gonna be good I just even if I I've never even thought of that before
that category you know here comes an Apple watch I didn't even know I wanted
to watch I'm gonna get it right so that's engaged customer then from
there you have three things under engagement I want to point out to them
because I had the book in front of me I'm a genius here automatic repurchase
is how you can tell you used with that question they launch anything I'm in I'm
bought in the emotional attachment you've talked about this in many of your
books about how when Steve Jobs passed
36:00 - 36:30 away there was like dividuals and people
were like crying and just eulogies and all kinds of stuff there was an
emotional attachment you don't feel that way about a lot of companies and the
sense of belonging like I am an apple tribe guy and I know my PC friends I'm a
Cristo tribe guy right I like that it's yeah and so what you're doing though is
you're going beyond that you're at the top level yes here we are at the top the
top of the brand ladder is empowerment talk to counter that so that's where as
someone who's joined the brand which is
36:30 - 37:00 what you do with brands you don't buy
them you join them it's saying I don't know what I would do without Chris Chris
doe helping me understand all this stuff I mean I wouldn't be making as much
money I wouldn't be as happy I'm I'm totally about it my life
wouldn't be as good if you took that brand away from me so that's that's at
the very top um and the and your customers are gonna
be at all these different levels but you want to see how many have moved up to
the top so that's a way to measure the overall success of the brand now as far
as your part in the brand that's a
37:00 - 37:30 little more difficult you have to like
decide what it is you're contributing to to make that happen on the brand ladder
and then explain that so a lot of its just being logical about it and just
saying I know we're trying to do together here some my parts gonna help
and so it's it's a bit of explaining mm-hmm and and if you know enough to
know more than that more than what your part is now you're becoming more
valuable now you're someone to listen to right it would be fair to say like when
you engage with the company that wants
37:30 - 38:00 to enlist your services that you
probably want to establish a baseline some kind of metric like let's measure
something first and let's make an effort towards improving that whether like
right now let's just say they're at the lower rung of the ladder and like we
just have satisfaction we're just barely doing what it is that we tell people
we're gonna do we want to move enough to delight like and then you come up with
ideas on how to add a little surprise yeah yes so you go beyond expectations
and then you can measure that maybe customer surveys satisfaction things you
rank things something like so the first
38:00 - 38:30 thing is to have this language mm-hmm
all right so that a lot of my books are just about create and that's why I have
a dictionary it's creating a language so that you can talk with business people
in a way they'll understand it and it doesn't mean using their language but
it's using sort of a language that everybody understands and that you could
easily explain that makes sense to both sides so if you talk about engagement
they're gonna get that yeah and they're gonna understand how engagement leads to
customer loyalty and loyalty leads to
38:30 - 39:00 higher profits mm-hmm but if you can
talk about higher profits too I mean that's what branding is about branding
is a way to get more people to buy more stuff for more years at a higher price
and every business owner can appreciate that and then you just have to say like
here's how we're gonna help ya but already you've given them some
information that they didn't know they didn't know branding was supposed to do
that right so I mean that's what my level C program
is trying to do is teach all that that
39:00 - 39:30 language to people and little by little
they absorb it so they can talk about it without you know in their sleep mm-hmm
and makes sense to people who actually are gonna hire them yeah a lot of stuff
to process here in case you guys are joining us who is this wise gentleman
sitting across from me and in Who am I why am i reacting to him in this way I
am gonna just admit I'm a Mardi Neumeier fanboy for sure I I think I have almost
all of your books I had to track down this through a used book seller and I
was like I'll get in any which way I can
39:30 - 40:00 get it because I knew you were coming
here I'm like let me track it down yeah this is I don't know maybe you can
get these like used on the gray market maybe a eBay maybe maybe yeah yeah this
is a little dictionary paper dictionary that was commissioned by Google because
they wanted to use all my my language of my system my understanding of branding
for their clients their big high-roller clients yeah and so they started it like
a little school and my dictionary is the
40:00 - 40:30 the the text that they that they use for
that so I updated it from the earlier version put it in a lot of cool terms
since that that one's pretty interesting but I have an even newer one more
updated that that you can get on Amazon it's a so it's yeah okay and that is
linked the the dictionary of brand from A to Z the dictionary that's called
brand A to Z branded easy here we go and you can get actually free if you just
sign up on my website just subscribe ok
40:30 - 41:00 we'll include that link in a little bit
and and as I was talking Mardis authored 8 books and probably has
a couple of more in him but we've talked about the brand gap and this is I refer
to this a lot I also love zag and and right now I'm just like rereading this
like a gazillion times this is the brand flip and we're talking because some of
you guys are probably super excited about hearing the way Marty articulates
branding and our role as creative people and what we can do there is a brand
masterclass that you started out in
41:00 - 41:30 Europe in in London and you're bringing
it here back to America and if you guys weren't able to sign up
because the tickets sold out pretty quickly for Los Angeles the next time is
in Philly diamond do you know the date we should have Andy yeah if you go to
level c CC yep all the dates are there so Philly's the
next one yep and there's seats there and then if you want to be a little more
exotic and go to London mmm it's a fun
41:30 - 42:00 place to do it yeah and in London we're
gonna do masterclass one followed by Latin masterclass two the first time
that we've done that one and then after London we're going to Dublin in Ireland
so that and that ones that'll be fun yeah I love both those locations by the
way yeah and we'll get back into this a little bit I'll put a pin on this talk
about the the five levels of level C but I do want to read a little bit of
something from the the brand flip here because a lot of times you read books
and you feel like a little bit smarter
42:00 - 42:30 and you learn a few new words but what I
love about your books is that I can apply what it is I'm reading they're all
frameworks built in and there's a lot to think about
from the brand gap I think it was the only in a statement where there's like
this structure and I started to use it now I have to say you're a far superior
writer and this is not like false modesty
because when I read it it makes sense everything clicks every example you gave
was like also so good and then you driving the ball 300 yards and then you
can't do it on your own the next day no
42:30 - 43:00 I'm not even that good I just watch you
do it and then I went to swing and went right into the lake or wherever away but
there's some great frameworks and now we're looking at our community in the
brand that we're building around the Futur and I remember having a
management meeting I turned it to the teams like let's stop talking about
clickfunnels and marketing and retargeting and all that kind of stuff
yes we do need to do that but I want to talk about how we empower our community
the pro group and I've made it like our mantra that I sit there and think about
how we can achieve these five things
43:00 - 43:30 that you talk about in the book for our
community and I want to go over it personal growth how do we help our
community grow how can we give them emotional support that was number two
how can we help them to achieve business success make more money charge a higher
rate do fewer pictures whatever it is we want to help you grow in your business
social status and that's not something we think about like how do we celebrate
the people who are doing a great job and help them rise in esteem among their
peers and to achieve fulfilment so you
43:30 - 44:00 guys if you get nothing from our talk
today remember those five things whether you're a solopreneur if you run a big
firm if you managing a team of a hundred thousand people think about your
customers in that way and if you can do that that's the top of the rung
empowerment right so go back to the definition of what a brand is it's a
person's gut feeling that's not a product service or company so that means
it's not what you say it is it's what they say it is and once you understand
that and start thinking about what that means for you
it changes everything so that's the big sort of flip is you in your mind you
have to realize it's not about you it's
44:00 - 44:30 about them and what they achieve so if
you have customers or clients think about how is their life transformed by
what you're doing in some some small way or how is their company transformed and
you got to be aiming at that all the time not aiming at your own success and
you because that you know you have to worry about that but that's not what's
really gonna make you successful it's doing something big for your clients and
once they understand that they can't
44:30 - 45:00 live without you all things are possible
mmm okay let's see Marco is there another good question and thanks for
kicking us off with that question I don't want to prompt a unless you find
like a really good question cuz I have more things I want to okay I'm gonna
prioritize my questions over your questions we'll just keep going here so
so Marty you before we went live we were talking a little bit about how you were
the reluctant salesperson but you did it and you achieve success like even in the
first year you're like quadrupled your business but you're sharing with me
something that I have to we have to
45:00 - 45:30 recreate for the audience here
you talked about at the Neumeier design team your pitch was I've got a
presentation on 20 ways to sell more software
this sounds genius tell me about it and who could refuse this at this point yeah
this is a breakthrough for me this is kind of it's the perfect question after
what have you just said about like how are you going to do something for you
know what are you doing to change your customers our clients
45:30 - 46:00 I really wasn't fully getting it at that
stage and but I didn't know I had a specialize so I took took up the
specialty of software packaging and figured out every part of what a
software package with needed to do and ways of measuring it and ways of testing
it and all that because I had it and I put together a typical portfolio showing
here's all the great work we did and here's what we did on this one we did
this for this company and so forth and and then here's some of the results we
got for instance for Apple they said the
46:00 - 46:30 president of the of klaris which was
Apple's software division I asked him how it went he goes are you kidding no
one told you I said no he said we got 40% increase in sales across 15 products
without changing one product hmm Wow I went that sounds really good he goes
yeah that's 40% with no extra work an extra 40 you don't know how much money
that it's like like I'm a hero and I
46:30 - 47:00 said can I quote you his name is Bill
Campbell just a wonderful guy does yeah you should yes definitely
quoting so I had that slide show kind of put together and I showed it to a guy
who had nothing really nothing in common with he was completely a marketing guy
and a retail consultant helping software and hardware retailers to sell stuff
like it's just not my world even though
47:00 - 47:30 my my my packages are in those stars I
really don't think about it the way he thinks about so I said would you kind of
look at my slideshow and because I think it'd be great if you recommended us to
some of your contacts because you know all these retailers he goes yeah I've
got it so I looked at it and he didn't say a word through the whole thing at
the end he goes well where's the ending I said what do you mean I showed you all
the stuff he says you didn't tell me
47:30 - 48:00 like how much money this is how much it
was they said well you know we designers don't
yeah it's it's all you know we you know it's it's depends on the assignments it
right no no just tell me how much it cost and how much just go do for me
right I said well Bill Campbell said you know that they got 40% increase and
because you're kidding me
48:00 - 48:30 just that's your ending right there if
you don't say that you're out of your mind what's do that over and then then I
realized another client had said look we've got we do you know you did our a
series of products for us and we got a 500% increase after that Wow good so I
started collecting those and using them to prove the value of design yeah it's
like this is a measurable thing you know you do a package it was the product was
selling X and now it's 10 times X or 5
48:30 - 49:00 times X so that's something you can put
in there and you should does it really tell you that much about why that
happened though it doesn't tell you anything but but business people aren't
as as geeky as you think about business they just like they just want something
that they can tell each other so give them something give them something true
that sounds like a business result uh-huh
and and you're all happy and and just
49:00 - 49:30 keep learning how to do it better my
business coach used to tell me that they need a repeatable story and you gave
them plenty 40% increased 500% increase those are some story they forget the
rest of the presentation you just go back and look we need you this guy they
didn't change the single community sold 500 I think an important part of that
particular pitch aside from here the results where it was and here's how much
it costs to get those results and so I was smart enough to realize that if
those results were like amazing I don't
49:30 - 50:00 know if landowner could get those kind
of results I don't think so because I don't think they've thought about it
very much like how to actually accomplish what they needed to
accomplish see if I was going to say where were we take me back I went off on
that side road I don't know where we were at either so let me think here I
was talking about the repeatable story
50:00 - 50:30 yeah and about the impact you were able
to create 40 percent 500% that they forget the rest of the story and this is
kind of like what you need yeah it's like so the main thing I need to tell
you is I forgot it so come back okay yeah but that was just a huge you know
experience for me to see that you didn't need to be the biggest company to
compete to just wipe out the biggest
50:30 - 51:00 company you just need to be so
specialized that they couldn't afford to do the same thing yeah and so the rule
is the bigger the market the more you need to specialize because there's more
competition and you'll do better if you do less okay you guys hear that the
bigger the market the more you need to specialize right
the smaller the market like was when I was in a little town and I was the only
designer I had to do everything I was not a country doctor you know they
needed me to do everything and sure I sewed up all the business because there
wasn't much competition right but you
51:00 - 51:30 know it only went so far so yeah so it's
all about that so if you want to compete in the big world and make good money you
need to specialize more mm-hmm and that's the counterintuitive thing you
think oh well then I'm gonna be ruling out all this business that I'm getting
now I can't do that anymore because now I'm just going to do this little sliver
so I would encourage you to think about it in a different way think about it as
if there's some enough money in that
51:30 - 52:00 category and you got a lot of it how and
let's say that category is growing right that could be huge right you can grow
with the category so I just think that's the way to go specialize now you doesn't
mean you can't do other kinds of work so all you people are worried about all the
clients are gonna have to say no don't worry about it just take that look yeah
just don't talk about it just take it you got it it's profitable talk about
the one thing you can do that nobody
52:00 - 52:30 else can do
and talk about it in a really clear powerful way make sure they understand
you're the only one that knows how to do this and you'd be surprised at what that
does for you and you'll still get other work from that that you just want to
talk about yeah okay so if I had a software company and they did the
software they might say kin like Apple said can you do the klaris logo for us
yeah charge a lot of money for that because
it's Apple right think I don't like make sure it works all around the world yeah
that means traveling around the world
52:30 - 53:00 and testing it and all the kinds of
things we did so it was probably I don't know half a million dollars to do this
little logo that was just typed that you could buy for $40 mm-hmm
but it was the right type and it was the right solution and they were all really
happy and felt very strong about it so it was valuable we made a lot of money
we just never made a big deal out of that because it's not what we do it's
not our niche you were talking earlier about segmentation and how different
companies don't talk to verticals of
53:00 - 53:30 other things like software doesn't talk
to hardware and hardware doesn't talk to retail so when you are able to pick a
lane which you did business retail software packaging if that sounded like
you you were the guy to call and you could basically outdo a firm that was
probably 100 times your size and start to charge and I want to talk about this
a little bit how much were you able to charge for this business software retail
packaging back in the day right so
53:30 - 54:00 allowing for inflation I mean would be a
lot more now but probably triple it and that's how much we would beat okay so
guys keep that in mind take these numbers and guess that triple yeah so we
started out doing packaging at the same prices as other firms were doing it that
weren't specialists you know like Landor and primo Anjali a lot of food packaging
and really beautiful packaging but not specialized in software and we took us a
couple of tries to get up to that level where they were and and that was at
about 10,000 per package okay
54:00 - 54:30 it's basically six panels of a box and
whatever goes on that and for us it meant also testing so well actually at
the time we didn't test we didn't about that Apple got us into that they
forced us to do it it was the best thing I've ever ever been forced to do so
$10,000 and then we started getting up to 15 and as we got more when we could
say look all we do is software packaging
54:30 - 55:00 hooks here's five five examples was
probably everyone we've ever done here's just a section okay a cross-section and
and so we get more and we can charge more now once we got to the point where
the retail stores were recommending us like you know a software company would
go into the CompUSA or Fry's Electronics and they say look we here's our product
we'd like to get into the store and
55:00 - 55:30 they'd say well the package you know
really we find packaging is very important nobody can really test your
software and so if the packets isn't really doesn't pop on the shelf right
and it doesn't look like yours you really know what you're doing and and
the reason they thought they knew what they were doing is because we'd been in
there hmm in Silicon Valley and testing them and talking with the managers and
the sales people and like we indoctrinated them over a few years and
so they now had all the answers right
55:30 - 56:00 yeah
oh no you you you got to have the name really big on the front you've got to
have some symbol you can't put all those screenshots on the front of the package
nobody wants to see they don't know they have that on the back right you're just
not doing it right so okay that's what should we do they'd
write out our phone number that's fantastic and they'd say use these guys
like a prescription so they come to us and they say oh we got to use you guys
we were told like I was surprised right
56:00 - 56:30 okay so at that point the price was
60,000 hmm now we're doing the same work as when we were making a profit at ten
thousand but now we're charging 60 so you see how that works now we are also
better at it after a while and we really knew that we could make a lot of money
for companies and it was so measurable because it's a package it's a little
more difficult when you're selling selling logos and trying to get a
hundred thousand dollars for a logo when they can get one for you know fifteen
hundred or something someplace but there are ways of doing that there
there are so many layers to peel away
56:30 - 57:00 from this one story this one example
that you have that I would be remiss not to point out some of them before we went
live you were telling me at the end of the presentation of your your carousel
slideshow of the 22 ways to sell more software and that they would ask you
like so what's the price and you were saying like ten thousand bucks even
though that's more than what you have ever charged and you were doing
something very powerful you're you're dropping an anchor and eventually you
got at ten thousand and then you blew pass which seems kind of like almost
unfathomable that you could take on land
57:00 - 57:30 or own one section of it and do 6x of
what they were charging and beyond and just keep going you went in you were so
well known that you actually went into these big retail spaces and you educate
them on what you need to do is so much so that you became the de facto
authority and they your words guy they were using your language to tell
potential manufacturers this is not gonna work here and you guys don't know
this but retail stores these big chains
57:30 - 58:00 they have a lot of power because shelf
space very valuable to them they put a dud on there they're not making money
and so they're gonna it behooves them to say we're not gonna accept this go hire
a Neumeier design corporation that's what you need to work with amazing so
now they're doing your selling for you when you specialize in your that as good
as Marty is people sell for you incredible yeah and you know that
language thing is really important having the words and keeping it simple
and and making your how you express your
58:00 - 58:30 work making it memorable is super
important so that's one of the things I try to do in my books is give people
that language so they can just take it and use it I mean a lot of it I took
from somebody else mhm and talking about software companies one
of them that we had we ended up doing I don't know 50 packages for them they
just kept after a while they were testing packages with no software in
them to see if there was a market if they built that software oh this is like
early prototyping here yeah it's like a
58:30 - 59:00 product prototyping right here's a would
you like this product and people if they went oh yes
they would go they would program it they would build that product so we were
doing a lot for them and and after a while I got more and more comfortable
with the people I was working with there and I talked with the head of the whole
product division and I said so we've been doing a lot of work together this
has been great that's fun we like
59:00 - 59:30 working with you guys and just I hope it
goes on forever now why did you make that decision to use us when you had you
didn't even know we were in the beginning right what was it and my
contact said it was the Zack I said this AG remember what you said when
everybody's zigs Zack so okay yeah because I just remembered that story's
like right that what's that word stuck
59:30 - 60:00 in his head and I want a title that'll
stick in people said so it's zag and I chef Godin said his review of it if you
read it says before we even read the book you know one thing this is the best
title of any business book ever so so it's all about how do you how you name
things how you express things in your work and if your work is specialized and
you do something that nobody else does or in it do it in a way that nobody else
does you've got to name those parts you have to name the things you're doing and
and and that'll help you sell it it's
60:00 - 60:30 all you don't even know when it's
working but you find out later usually it's like because like you say they tell
people they tell other people yeah I have one little quick question and
then mark you have somebody lined up here to give me a signal there take me
back to this awkward Marty doing this sales pitch because you shared that like
when you picked on the phone and you wanted to get one of these meetings and
talk to them about the 22 ways to sell more software take me through that pitch
like how did you do this take military
60:30 - 61:00 you guys are you guys ready for this you
know yeah the dial yeah come on yes so push the buttons yeah
like I pushed in the hang-up just like it was so hard but I get somebody on the
phone and I like pick up the phone because they probably didn't know it was
a sales call and they're used to not
61:00 - 61:30 getting that sit in any sales and call
us if you've got their number you've it's hard to get the number but yeah
they'll pick it up and I'll say okay hey um you don't know me I'm Marty Neumeier
and I've got a I do software packaging and you're in the software business and
I'm the guy who has kind of helped shape how a software package works and store
and I think we should know each other and have this slide show called um
22:22 ways to sell more software and you
61:30 - 62:00 know no rush whenever you ready whenever
you think you're interested in this ayah we'll bring over a slide show called 22
ways to sell more software and I'll share with everybody for free and you'll
know all my secrets Tuesday yeah 15 people good yeah I'll be there see
him it's like they were like you know you don't get any feedback like hey that
would be great you just get okay Tuesday
62:00 - 62:30 and how many people can I bring 15 okay
great and then be there to be 30 so huge room of people and God given the
slideshow and with all the questions they would go on for like three hours
just talking it was a 45 minute slideshow that ended up three hours
because they want to know everything about it now once you get to that stage
who else are they going to hire I mean it's like if they go to to somebody else
another company pentagram or land or and
62:30 - 63:00 they ask the set they said well what do
you think about what should happen on the side of a box or what do you do with
the top of the box and they don't know they're you know can't hire these guys
or they say how do you know your design is going to work in the marketplace and
they go well because we are experienced we've been doing this for a long time
they've got no not going to do it Neumeier design team they test
so we just basically sewed it up and and then when you get to the point where you
own that category and there's nobody
63:00 - 63:30 else that can compete with you that
affects profit margins that you can the price goes up you know if it's valuable
and the amount of money they were making in software I mean it was really
expandable from hardly anything to billions of dollars so this is not a big
investment for that it's a job is huge for me it was like I couldn't believe
yeah that they were paying me this much money yeah so I went from being like
broke all the time like most designers to to having to be able to buy another
house and to you know to upgrade my
63:30 - 64:00 Toyota Tercel to Honda people think like
boomers they got it made well you know yeah now sure but yeah you know it took
a long time and you have to learn how to do it and but you can do it that's the
whole thing it's it's it's it's it's not magic it's just like figuring it all out
trying things trial and error putting it
64:00 - 64:30 together find out who you are what you
love get it out there make sure that you you've you know everything there is
about that life gets better yeah I'm gonna say this just so that everybody's
watching you're probably gonna want to rewind this and loop this part where
Marty does his sales pitch and studied it study it and figure out his framework
his process because it's the most natural true genuine way to do a sales
call that I've ever heard this is so you
64:30 - 65:00 were like I wish this was one of those
competition shows where I could hit the golden buzzer and the confetti rings out
on you balloons and everything that was pitch perfect
I wanted a plot but I didn't want to to break your story there so you guys real
issen to that part see how he structured it high piece of
content high value you know how good he is is because when they don't ask you
any questions like Tuesday because to open up their appointment book that's a
big freaking deal to say that can we invite other people and all the
executives taken offline that are these highly paid executives to listen to
something yes
65:00 - 65:30 three hours right and with rapt
attention when you go for 45 minutes or three hours you know pretty much the
fish you want the fishing where the fish are jumped in the boat and your veggies
jumping and that's time and actually that's the way you want the seem you
don't want to have to sell or push pushing is it is a tell for clients
thing oh yeah they really want the job yeah they're just say anything to get it
then but I never like no I'd say you know we're not for everybody that's
really expensive so part of the thing is when I showed him the price I wanted it
to be more than I even wanted to get
65:30 - 66:00 because I wanted to to like make sure
they understood that this is super valuable right and we can always argue
about the price later if they say they say you know we loved your sick you're
way out of our budget and then say well how much way out are we you know you
it's like ten thousand overnights well what if we compromised right well maybe
but usually it was more like we want the best chair um so we have no choice right
and through specialization and your
66:00 - 66:30 testing you were able to spot and see
patterns that these other generic firms could not see that's why you can say we
always put the screenshots in the back this is what's on the front these are
the colors this is what works with authority because we've tested it okay
that was perfect let's segue to another question mark take it away to be brand
specialist what do you recommend so that they could up their game we already
answered that question and you touched
66:30 - 67:00 on about they're wondering kind of like
gala as they progress you know like I'm saying for Marty I'm gonna say it for
Marty the first thing you do is you buy every book that Marnie's written and you
read them and you reread them and you highlight them and you take notes and
you start try to incorporate this and you get the language now this book brand
a tizzy is new to me so I need to go through this because you can see that
Marty is very specific in particular about language and words and when you
use the right words to describe something you communicate the other
person they know what they're talking about so yeah so I think that's that's
what I would suggest to you start you
67:00 - 67:30 read my books in order you can go online
and Amazon and you can see them the dates when they were published yep the
brand gap is the first one then zag it's actually the order that my brand
teaching program follows that same order starts with a general idea of what
branding I sell people fit and then it drills into strategy and then it opens
up a little bit and so forth so and once
67:30 - 68:00 you've gotten everything you can out of
the books taking it as far as you can and then maybe sign up for a master
class yeah we like to have people that have read the books not just come out of
the blue because they might not pass right past with us and that would be
very embarrassing but so far everybody's read at least one of my books probably
the brand gap and so they're primed for this and and usually they're they've
been in the field for a few years so it's not like they're just out of school
or something yeah okay so we will
68:00 - 68:30 include a link in the description below
with our affiliate link guys and the order in which you should read them and
I felt like this and thanks for reminding me of this it's like I think
zags like the philosophy the primer and I'm sorry it was a brand gap was the
philosophy in the primer and zagged it got a little bit more tactical and like
I could get into a little bit more write is about differentiation what's what
makes just like I've been talking about like how did how did I become successful
in Silicon Valley I specialized so what is that like so that is actually the
bedrock of branding is that difference
68:30 - 69:00 a difference that people can believe in
right they see it they understand it they get it that this is how you're
valuable in the world this is that Lane that you're in so the the question at
the center of this book is our brand is the only blank that blanks there's the
only Ness only the only and that's a very high bar to say you're the only
anything but that's what you're shooting for and so that's the centerpiece of
everything I do right there so if you
69:00 - 69:30 just want to go right for the strategy
zag is the book to get nothing I do recommend that you understand branding
first so maybe brand captain zag are really good when I when I was writing
this brand gap if the publisher came after me they said we saw you give a
talk we want you to write a book it hasn't happened to me since but that was
really great and and I said okay if I have to come up
with some ideas I've got some thoughts
69:30 - 70:00 let me get back to you and they flew out
to California to talk about it and I said I got two books I don't know which
one to do I got one that's called the brand gap oh that's good and then and
then I have one called Zach oh that's good too and so I told him a little
about it they said oh this is an easy thing you do the brand gap and then you
do Zach so I sold two today two titles Wow one
meeting and that was the right thing to do yeah because first you find out about
the general layout what's the game
70:00 - 70:30 what's the playing field of brand yeah
where do I fit oh this is kind of cool and then you get to this part about
differentiation which is the first part of that book and you know this is really
counterintuitive I'm not sure I'm getting this I don't understand how this
works so the zag is the next one to read and explains exactly how it works and
once you've got those two things you could pretty much build in pretty good
shape and that's more okay so the rest is just yeah so I always recommend this
because people always ask us the same
70:30 - 71:00 question like what course should I'm
like you know what why don't you look at all the free content or just take small
steps read the books or listen to the podcasts first there's a nurse shortcut
guys read the book and then you're primed and now you know and when you
take the course and hopefully some of you guys will want to take Marty's
master class that's happening in Philly and then back to London and then Dublin
participate in that way and then you use its layers to just peel it back so that
you don't get overwhelmed I wouldn't say to observe at all once yeah it's it's
not lifetime of learning you know it is
71:00 - 71:30 and you got a long life to do this but I
just keep making progress little by little and make sure you understand
whatever you're learning a really understand and absorb it even if it's
just one thing a month like I really get that concept and you remember it all the
time and you add that to your you know your repertoire yeah you're gonna get
there and if we apply some of the things that you're talking about today even in
the way that you learn I I know I probably read brand GAAP probably twelve
times now may be more exact I don't know
71:30 - 72:00 I mean at some point the books are gonna
fall apart cuz I'm going over it rather than spread yourself out wide you
can buy these two books read them stop think about it reread them because
you're gonna pick out new bits that maybe were just too much for you to
process the first time something else that you talked about know you've had a
lot of practice writing because you've had years of writing and editing the
magazine critique right and I started I was writing advertising copy and learned
how to do that and it has like really hard but I could write a headline and
then I could write maybe 20 words of
72:00 - 72:30 body copy and make that perfect so you
know I just learned a little bit critic though that's what really gave me a lot
of strength and writing cuz yeah you know you have to write 3,000 words in a
couple of days yeah and it has to be good so so maybe that's another tip is
to practice articulating your ideas by writing maybe even do public speaking
but at least start writing and formulate the things that you think you've learned
and and maybe you can pick up maybe one
72:30 - 73:00 or two books on on business and
marketing and I think you you have a pretty good foundation to build your
house of branding on I would think mm-hmm okay mark are we good with that
okay and I think we've I could sit and talk to you for 14 hours but I think at
some point you and I if you have time I'd love to have lunch with you is well
how do we how do we wrap this up here we need to kind of finish it strong and
maybe maybe it's another story something else you want to talk about Marty I want
to talk about my latest book because
73:00 - 73:30 just because I love it yeah I love
writing it it's different than the ones on the whiteboard CS scramble scramble
scramble yeah so I've been writing these whiteboard books which are very
simplified the fewer words the better mmm just get it down to just pure gold
and and illustrate it and make it interesting and that those work great
but I realized that as you take branding into a more collaborative setting where
you've got executives that you're
73:30 - 74:00 working with so this is advanced
branding not just being a designer but being involved in advising companies
it's a whole different can of worms because you've got a lot of different
personalities and people protecting their turf this is
where things go wrong in companies it's people at the top being Machiavellian
basically not that they set out to do that but that's just the way people are
and so how do you how do you show how to
74:00 - 74:30 get through all this complexity that you
have this human complexity and I think the best way is with a story so I
decided that I would write up all this brand stuff as a thriller mm-hmm
so it's a business thriller so a new category mm-hmm and it's about a company
that the head of the company is young he has only been in the job for a year he
started out as an architect so he's a
74:30 - 75:00 creative person he's he led this
architecture firm to get to be like two three hundred people like amazing a
number of people and it's very successful and one of the clients a
hotel client that they were building hotels for said why don't you come and
run our business because you've already been running a pretty big business and
you can design amazing hotels and so why don't you run the company he takes the
job and the first year is a disaster not
75:00 - 75:30 his fault but he's facing all kinds of
headwinds as we say in business that he doesn't know how to deal with and so the
Board of Directors gives them an ultimatum they say you have to reinvent
the company in five weeks or you're out that's we can't we can't tolerate it
anymore we're gonna go out of business after this business has gotten to the
size 3,000 people in 40 years suddenly in one year we could lose the whole
thing so it's up to you to reinvent it so that means changing the strategy of
the company so brand strategy becomes
75:30 - 76:00 very important so that's just page one
yeah so he's he's like in trouble from day and yes he gets picked up by an uber
driver who asked him a few questions that just like totally stun him hmm so
he becomes a major character the uber driver the can comes his personal driver
essentially even though he's an uber driver so it's that story of how this
young CEO to learn a new way of looking at things
through the lens of branding to reinvent
76:00 - 76:30 the company into something amazing like
really innovative and it's awesomely innovative and what happens when you do
that what happens to you what do you have to go through to get that to happen
well you know how do you deal with the Board of Directors who's maybe not so
open to something new how do you get design and involved in
this full you know like all the way in and make it like a design centric
solution all this kind of stuff mm-hmm so and this book now is the first book
I've written that's out selling the
76:30 - 77:00 brand gap the brand gap is just because
it was first just you know I mean it's been read by 23 million people so but
this one is selling really well so I know it's working for people I know
they're getting a lot out of it and there's two more that I would love to
write so we'll see if it goes well I'm gonna follow it up with the next the
sequel and the next one but it's follows this same company all the way through to
like amazing awesome success Apple sort of success so the book is scramble and
it's a it's a zag for you because
77:00 - 77:30 previously these were kind of
instructional a very graphic it's a narrative but it's it's actually pretty
visual yes and everything are include a lot of design and designing and
visualization things so you the whole thing is to make it palpable for people
to bring in a lot of bring the five
77:30 - 78:00 senses into the story so you'll see a
lot of stuff there so it's a it's was a great experience for me not that
different than the little stories I've been putting in the glass and I mention
that this is just an expanded one right and my goal is to create an atmosphere
where design is much more appreciated so it's for you guys out there so when you
come into a company you're gonna get invited into the big big room the big
conversation they're not just stuck in the back room stuck in the basement with
no windows if I don't know anything about branding if I read this book do I
learn about branding through your
78:00 - 78:30 narrative okay this is perfect yeah I
mean I'm trying to teach CEOs about branding because they're the key to all
this if the CEO doesn't really value design or puts it down and lower on the
food chain that's where you are you can't get beyond that so I want
everybody to understand what their role is so it parallels all the other books
but it just puts it into a narrative so for people who love stories or even
thrillers they're gonna really gravitate to that one if they just want the
principles in the most memorable way maybe the whiteboard books although
these can you know the stories can make
78:30 - 79:00 things man were memorable - yeah and and
this is also now self-published it's the level's imprint there yeah so this is
great and as you were saying this is now outselling the original book and the
brand gap which this looks very promising for books two and three so I
hope that that does happen you guys go and pick up this book like I said we're
gonna include all the links in the notes below Marty Neumeier I like I said
honestly I'm not just saying this I could sit here and talk to you forever
but here's the good news
79:00 - 79:30 this is actually the prequel to the
workshop so that's happening at the end of February and we're looking forward to
that I think we're all sold out now I just you need to have to know somebody
on the inside to get a ticket at this point I think we're sold out at 60
that's it you guys go to Philly that's the next location otherwise you can make
a beautiful trip across the pond and go to London or Dublin and before we go you
talked about level C having five levels yeah and I said I put a pin on that one
so what are the five levels that you
79:30 - 80:00 plan so the first level is what we're
doing here in the Futur and this is certified brand specialist so this
teaches you where you fit in the big world of branding where you're going to
be most successful how to collaborate with people and make the most use of
your skills and start to learn the terminology start to learn the language
of branding the next one is more like the book zag and that's level 2 level 2
is certified brand strategist
80:00 - 80:30 so that's where you get to think bigger
like and you really connect design with with business success right and if you
get to if you're lucky enough to be a strategist and make money consulting
that way that's that's to step up the terms of profitability for most people
not always but it is third third level is brand architect and
so that's like going from checkers to to to chess to three-dimensional chess and
that's where you you can lead a whole
80:30 - 81:00 company basically you can lead any part
of branding very valuable in the world the fourth level is a brand instructor
that's where you get a chance to teach the same stuff that you were learning
and you that really cements it in your money like once you start teaching it
you know it cold right and from there you're ready to go to brand master which
enables you to be a CBL chief brand officer in a large organization where
you're working side by side with the CEO
81:00 - 81:30 in full partnership so that's a new job
classification that wasn't there before it's just coming out now and by the time
we get that in place there'll be jobs there already people in our first our
first class are already getting those titles oh wow they just heard about it
and then it's just like tuned into it and they're getting them for smaller
companies or for divisions of bigger companies but it's it's an emerging role
that you can play and that's not for everybody obviously not everyone wants
to be a leader and lead you know
81:30 - 82:00 hundreds of people mm-hmm but if you
have if you think someday you may want to do that we can show you how to do it
did you coin that term CBO I thought it ready in one of your books yeah yeah I
put it into the brand gap my first book I envisioned it right then we have a CBO
there has to be some ones do snakes doesn't exist but we have to have that
so now it's starting to exist mm-hmm okay guys on behalf of everybody I know
that's watching live first of all thank
82:00 - 82:30 you guys
Marty it's been a true pleasure this has been fantastic I know this is gonna get
a ton of repeated views because of how much information you've shared with us
the learning the sharing like I said we probably need to do a follow-up at this
on this episode sometimes oh please I have a thousand more questions to ask
you thank you very much guys thanks for
tuning in and the team Jonah Mark and Ricky thanks guys for doing
your bit see you guys next time