Principles of Design - Balance (CtrlPaint.com)

Summary

Highlights

• Visual balance is akin to balancing a scale, using size and placement. ⚖️
• Small objects far from the center balance large, close ones. 🎯
• Lighting changes can shift visual balance significantly. 💡
• Asymmetrical compositions often feel more lively and intriguing. 🖼️
• Balance isn't just about objects; it's how you arrange them! 🔄

Key Takeaways

• Understand visual balance like balancing weights on a scale ⚖️
• Visual weight matters: size, placement, and value all play a role 🎨
• Symmetrical is often boring; try asymmetrical balance for excitement 🎭
• Lighting can drastically change visual weight and balance 💡
• Experiment with different arrangements for harmonious compositions 🤹‍♀️

Overview

Chapters

• 00:00 - 01:00: Introduction to Balance in Design This chapter introduces the concept of balance in design using the analogy of a simple scale with a fulcrum in the center. It discusses how placing a heavy object on one side causes an imbalance, while adding an equal weight to the opposite side achieves balance. Additionally, it suggests that balance can still be achieved with unequal objects if positioned correctly.
• 01:00 - 02:00: Visual Weight and Balance The chapter discusses the concept of visual balance, drawing parallels to basic physics principles involving scales and fulcrums. It explains how understanding the idea of a balancing act in composition can be achieved by associating it with moving objects closer or farther from the fulcrum. The analogy is used to help readers grasp how visual elements can be balanced in a composition, similar to balancing objects on a physical scale.
• 02:00 - 03:00: Achieving Balance with Asymmetry The chapter discusses the concept of balance in composition, focusing on how symmetry and asymmetry can be used to achieve harmony. By moving an object to one side of the composition, balance can be disrupted, but symmetry, such as duplicating the object, can restore balance. Each element in a scene has visual weight, and understanding this can help create a harmonious and unified image.
• 03:00 - 04:00: Visual Balance Through Value The chapter discusses the concept of visual balance in art, specifically focusing on how balance can be achieved through value, size, and positioning. It explains that balance does not necessarily mean symmetry; instead, elements can vary in size and position while still achieving a sense of balance. The chapter uses examples of shrinking one element and placing it in the distance while enlarging another and moving it closer to the center or fulcrum to illustrate this point. It mentions that visual balance can be achieved with multiple objects, suggesting that a large scene with numerous elements can be balanced as well.
• 04:00 - 05:00: Asymmetrical Balance for Lively Compositions Asymmetrical balance refers to the technique of distributing visual weight unevenly in a composition. For instance, a single character in the foreground can balance with a group of smaller characters in the background. Though smaller, the background characters collectively hold enough visual weight to counterbalance the larger character up front. This approach creates a dynamic and engaging visual composition.
• 05:00 - 05:30: Practical Exercises and Conclusion The chapter provides insights into the concept of balanced composition, illustrated through visual diagrams. A balanced composition is visually demonstrated by showing how larger objects positioned closer to the fulcrum can be balanced by smaller objects placed further away. This creates equilibrium and visual balance, emphasizing the importance of arrangement in achieving a harmonious design.

Principles of Design - Balance (CtrlPaint.com) Transcription

• 00:00 - 00:30 here you see I've drawn a simple scale it's got a fulcrum in the center and if I were to put a heavy object on one side it would not be balanced this side would go down in the other side would go up okay well what if I put an equal weight object on the other side then you'd have balance so if I had a smaller object on one side I could still have a balance if the
• 00:30 - 01:00 larger object we're moved closer to the fulcrum sound familiar this is basic physics if you can wrap your head around this idea it's going to be no problem understanding this concept of visual balance if you can think of your composition as one of those scales then all of the sudden you have a balancing act so if I have one object right in the center we'll say he's on the fulcrum
• 01:00 - 01:30 that's balanced if I were to move him to one side of the composition that would be unbalanced now I could balance it again by duplicating him and giving it a bit of symmetry so what this means is that each object in your scene carries visual weight one way to achieve Unity or Harmony in your image is to have a balanced composition
• 01:30 - 02:00 position so the balance can come in a couple different ways but it doesn't have to be symmetrical so I can shrink this guy down and put him in the distance and then enlarge this guy but move him closer to the center or closer to the fulcrum and it's still balanced and it doesn't just need to be two objects either you could have a large scene populated with tons of
• 02:00 - 02:30 characters maybe it's one large character in The foreground and then a whole crowd of other characters in the background because they're physically smaller in the composition that gives them less visual weight and so a whole crowd of characters can equal the weight of one character that's in the foreground
• 02:30 - 03:00 so this is still a balanced composition so if you're not seeing it in this example I'll show you a quick diagram so here I've turned the same image into that horizontal scale and you can see the left object is much larger but it's closer to the fulcrum and the objects on the right are smaller but further from the fulcrum and you end in a nice equilibrium a nice visual balance
• 03:00 - 03:30 looking at this you would say those two are in total balance in fact it's a pretty symmetrical composition but now I'll throw in some quick lighting all of a sudden it's not balanced anymore the characters are equal size if it were real life they'd probably be equal physical weight but they are definitely not equal visual weight and this is because the value of an object whether it's light or dark has a big effect on visual weight so all I
• 03:30 - 04:00 did here was light it and get the balance of the image changed completely so if I wanted to balance this out I would have to add some extra light on the left side of the composition now there's much more visual balance but there's not a symmetrical sense of lighting and when you take a look at these abstracted value studies these are balanced and yet they have no sub object
• 04:00 - 04:30 matter at all so you can see how important value is when it comes to balancing a composition generally speaking things that are too symmetrical are boring the trick to making really Lively compositions is asymmetrical balance so you have a large object that's counterbalanced by a group of smaller objects or a light area that's counterbalanced by areas of dark so when it comes to composing an image there's a lot of factors
• 04:30 - 05:00 and generally speaking your brain is already wired to recognize whether something is working or not working when you see this line drawing some part of your brain is already seeing this diagram you're just not actively realizing it so as you begin to understand these principles of design you're going to unlock the code that your brain already knows about so look at the bottom of the post and you can download a PSD filled with some Orcs you can also try these same exercises with random black and white
• 05:00 - 05:30 marks on a canvas however you want to do it but remember it's not what you're drawing it's how you're arranging it so go try making some balanced compositions have fun guys