Trevor Noah's Snake Story Shows Who the Real Man Is | Netflix Is A Joke
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Summary
In Trevor Noah's hilarious story during his tour in Bali, he humorously narrates an encounter with snakes that highlights cultural differences and how people react to fear. The narration revolves around a Balinese snake performance, where things take a chaotic turn when a dangerous mishap occurs with a King Cobra. Trevor's storytelling is both edgy and comedic, turning a potentially frightening incident into a laugh-out-loud experience filled with cultural humor and relatable human reactions.
Highlights
Trevor Noah hilariously recounts a snake performance in Bali, turning fear into comedy through cultural humor ππ.
During the snake show, a performer gets struck by a cobra, leading to panic and chaos among the crowd ππ±.
Trevor's interaction with a fearless Frenchman adds a layer of cultural humor and highlights attitudes towards fear π«π·π.
Pandemonium ensues as the escaped cobra causes the audience to panic, creating a comedic chaos scene ππ.
Trevor's closing anecdote, mocking a father-son interaction, amusingly highlights differences in parental instincts π¨βπ¦π€£.
Key Takeaways
Trevor Noah has a knack for storytelling, turning a scary snake encounter into a hilarious tale ππ.
Cultural differences in reacting to fear are humorously highlighted through his interactions with a French family π«π·π€£.
Noah points out how toxic masculinity doesn't help deal with genuine fears like snakes ππ ββοΈ.
The comedy of errors escalates when a cobra strikes its charmer, leading to chaotic pandemonium π±π.
Trevor's comedic insight into a father's protective instincts during the chaos adds depth to the tale ππ¨βπ¦.
Overview
Trevor Noah takes us on a comedic journey through a memorable snake show experience in Bali, turning fears and cultural differences into humorous anecdotes. The scene is set with a group tour atmosphere, introducing an array of international characters, including Trevor's witty interactions with a Frenchman over the fear of snakes.
As the snake performance unfolds, drama ensues when a cobra unexpectedly strikes its handler, causing chaos amidst the audience. Trevor masterfully captures the pandemonium, weaving in his observations on cultural attitudes towards masculinity and fear with a seasoned comedian's charm.
Ending on a high note, Trevor's comedic storytelling shines through as he navigates the mayhem, offering a relatable conclusion with a father-son moment that underscores shared human experiences and humor's ability to unite us in the wildest of circumstances.
Chapters
00:00 - 00:30: Introduction and Setup Dang Basaan leads the crowd to a surprise performance area at the back of the house.
00:30 - 01:00: The Snakes of Bali Introduction In the introduction of 'The Snakes of Bali', Dang Basaan surprises the audience by appearing in a grand Balinese headdress, setting the stage for an authentic Balinese experience. He announces the arrival of the snakes of Bali, catching the audience and possibly the narrator off guard with this surprising turn of events. The scene is set with a group of men handling and preparing to showcase the snakes, to the narrator's visible discomfort and reluctance.
03:00 - 04:00: The Python Performer In this chapter titled 'The Python Performer,' a humorous story unfolds where the narrator, a black person, humorously captures his cultural perception of survival upon hearing about a snake. While attending a show, the narrator begins packing his belongings to leave after hearing about snakes, which confuses a French man beside him. The French man questions the narrator's fear and decision to relocate due to a snake, to which the narrator responds affirmatively, emphasizing his cultural inclination towards avoiding dangerous situations.
04:00 - 05:00: The Green Mamba Performer In 'The Green Mamba Performer,' the narrator recalls a humorous encounter with someone mocking his fear of snakes. Despite being a big man, he admits his fear of snakes is rational, arguing that having a big brain doesn't mean succumbing to toxic masculinity to prove courage. The situation escalates as the other person expresses disbelief, even involving his son in the conversation. The scenario highlights the narrator's stand against the stereotype that men shouldn't show fear, insisting that common sense prevails over societal expectations.
05:00 - 11:00: The King Cobra Performer In 'The King Cobra Performer,' a humorous interaction unfolds between a performer and a child. The child repeatedly exclaims 'Snake, snake!' while the performer, with a French accent mimics him with 'Oui, oui, snake. Are you afraid?'. This exchange goes back and forth for a while, filled with playful taunting and laughter. The performer ends the scene by dismissing the interaction with a joking reference to historical military defeats, emphasizing the light-hearted and comical nature of the encounter.
Trevor Noah's Snake Story Shows Who the Real Man Is | Netflix Is A Joke Transcription
00:00 - 00:30 And Dang Basaan
follows the crowd. And he's having a blast.
You can tell, you know? He walks out and says,
"Everyone have a great time? I know you enjoyed that. Now, it's time for a
special surprise. Follow me everybody,
to the back." And he takes us to the back of the
house, right. Where there's this
area they've laid out, where clearly they have some type, some,
some sort of performance. There's a stage,
there's raked seating. He tells us to find our seats,
so we all sit down. And there's people from all
over the world in our tour group. Myself, my American friends,
some British people. There's a French family.
A dad and his son. They sit next to me.
So I sit in the front row.
00:30 - 01:00 And Dang Basaan
comes back out. And all of a sudden,
he's wearing like a giant Balinese headdress. Looking really beautiful
you know. And he looks at us and he's
like, "Ladies and gentlemen, are you ready for an authentic
Balinese experience? Please welcome the
snakes of Bali." I'm like, "The what?" I'm like, "Oh he said snakes." The snakes of Bali-- And I look, and there's snakes. There's a group of men
gathering snakes to bring out to us. And so I'm like,
"Oh yeah no. No I don't, no."
01:00 - 01:30 No because you see
as a black person culturally, I'm trying to not die. So... I take all my stuff
and start packing it. And the French guy turns
to me and he's like, "My friend, where are you
going? The show is starting." I said, "Yeah. No, the guy
said there's snakes coming, so I'm going to move. I'm gonna go,
I'm gonna go to the back." He's like, "You are moving
because of the snake?" I said, "Yeah." He said, "Why are you moving for the
snake my friend? Are you, are you
afraid of a snake?" I said, "Uh yeah.
01:30 - 02:00 That's exactly what I am,
Yeah I'm afraid of the snakes." He's like, "Such a big man,
but you are afraid of a snake?" I said, "Uh yeah with a big
brain, that's why I'm afraid." It's a snake. Like you're not going
to trick me into not being afraid of a snake. Like my toxic masculinity
is not so high that I'll be like,
"Yeah you know what man, come on
Snakey. Come on." It's a snake! Instead of just letting it go,
this guy turns. He's like, "I cannot belive it,
a big man like this. Jean-Pierre, Jean-Pete..." Turns to his son and is like. "Jean-Pierre..."
02:00 - 02:30 And this kid's like
"ha, ha, ha!" "Snake. Snake!" And he's like,
"Oui, oui, snake. Are you afraid? Snake. What is this? It's a snake. Snake." And these two carry on for
like 15 seconds non-stop. Right. Just back and forth. "Snake, snake, snake,"
the whole time. He's like, "Snake.
Are you scared? Snake. Snake. Snake." I'm like, "Whatever man,
you guys lost all your wars."
02:30 - 03:00 So I go to the back. Right. I don't have time for this. I don't have time for this, because there's snakes. So I go to the back,
take all my stuff. And I climb up and
I'm sitting at the top, because I want to
see the show, I just don't want to
be a part of it. Okay? And so uh, so I've got,
I've got, I've got my stuff and I move all the way
up to the top. And I sit there. As I get there,
the show starts. And Dang Basaan's
really excited and he's like,
"Ladies and gentlemen, please welcome
your first performer, the powerful Python."
03:00 - 03:30 And a dude comes
out with a giant python wrapped around him. Alright. And this
guy had this cool trick where the python would
squeeze him really tight. Super tight. So tight,
you could almost hear his bones
cracking. Alright. And then he'd make a
sound. He'd be like... Eeh. And the snake would let go. Then it'd start
squeezing him again, and he'd be like... Eeh. And the snake would let go. And it would squeeze
him again and he'd make the same
sound, he'd be like... Eeh.
03:30 - 04:00 And the snake would let go. And I was like,
"This is dope. This is cool. Yeah they're in a
consensual relationship. I like this. This is uh..." So he leaves with the snake. The next performer
comes out, and this guy had a,
he had a, he had a green, he had a green mamba
with him right? And so, so
Dang Basaan is like, "Ladies and gentlemen,
the green mamba." This guy comes out
and he had a cool trick where he took the
lid off the basket and the green mamba
would come out and then it would
start doing a little move. And then someone
would play music and then the snake charmer
would dance with the snake. They'd do the same moves,
like a Justin Timberlake video,
04:00 - 04:30 just the two of them back,
back and forth. I was like, "That was dope."
The snake goes back in. And then Dang Basaan
came outone final time. And he's like,
"Now ladies and gentlemen, are you ready
for the final part of the show? Please welcome
The King Cobra." The final performer
comes out with a cobra.
Puts the snake down. Lifts the lid,
snake comes out. And I don't know
what it was about this snake. But you could feel
the energy change, like. They were all snakes,
04:30 - 05:00 but this snake looked mean. You know? Like it, it looked like it hated life. There was something about it.
Like it, it... Like this snake looked
like it had a mortgage. Because it looked at us, and then fixed its
eyes on the charmer. And he, he was
really cool and calm. He didn't even
look at the snake. He addressed us. He was like "Ladies
and gentlemen. They say the cobra can strike faster than the man can blink.
05:00 - 05:30 But can a man move faster
than the snake can think?" And I'm like oooh... "I don't know what
that means, but I'm in." Because it sounds like a dumb Instagram quote, but I'm in. And this guy had the
most amazing trick. What he did was he got right up
close to the snake, alright. and he put his
hands behind his back. And then, he would
make it seem like
05:30 - 06:00 he was going to
kiss the snake. And the snake will
be no further than like a foot
from his face. And then he would make this sound like a kissing sound. As he made the sound, the snake would
try to bite him, and he'd moved away. I've never seen
anything like it. But he leaned in
and he's like, "Come on snake." "Too slow snakey. Try again.
06:00 - 06:30 No love for you my friend. Come on Snakey." And all of us, all of us
are enthralled. Every single one of us. No one's making a sound,
no one's moving. And he does it over
and over again. And then, to take
it to the next level, he closes his eyes, pouts his lips, and I guess at this point, the snake was probably like, "Oh I think I figured this out. This dude's going to
make the sound and then he's
going to move.
06:30 - 07:00 But if I bite before
the sound, I can change
everyone's lives." Because that's exactly
what the snake does. The guy closes his eyes,
pouts his lips. Before he can make
the sound, the snake strikes him. Pa! Bam! Hits him on the mouth.
Right? Cuts his lip open, blood goes
spraying everywhere. Now that should be
the end of the story, the craziest part of the story. No, this is the middle. The snake hits
him on the mouth.
07:00 - 07:30 The blood goes spraying. This guy jumps back, and then acts like he didn't
just get bitten by a snake. Which makes us
think we're crazy, because we all saw it. Everyone in the
audience was like "haaw." And then he jumps back,
and he goes, he just shakes it off.
You know what he did? He did that thing, you know that that
thing that people do when they get their
hand jammed into a car door
or something? Like you know,
like it slammed, and there's a "clack". And people will just
be like mmm... He did that, but with a snake. So the snake hits him,
the blood sprays,
07:30 - 08:00 and he jumps back
and he's like mmm... "Don't worry. We're fine.
Don't worry. Don't worry. Everybody, we're fine. Relax, relax, we are fine.
We are fin." But we weren't fine.
You know how we know this? Because his face started melting on the one side. Right? So his face starts melting,
his lips start turning blue and he goes back to do
his kiss trick again, but he can't even stand
and he looks at the snake. The snake looks at him, and he's like
"Okay, show is done. Goodnight everybody.
Goodbye.
08:00 - 08:30 "Goodnight." He runs off. And all of us now, all of
us are just like, "What the hell just
happened?" Right. He runs off. I have
questions in my head. Like is he going to be okay? Do we get our money back? How does this work? And then we turn
back and we realize. He's forgotten his snake. And you know what
the worst thing was? Is it seemed like the snake realized the same
thing at the same time.
08:30 - 09:00 Because the snake also
watched him leave and then as we turned back,
the snake was also like, "Oh shit." And so now, it's just us, and the snake. And mind you, there's no,
there's no barrier, right. There's no concrete.
There's no glass. There's nothing. It's an authentic
Balinese experience.
09:00 - 09:30 So we're all staring
at the snake. The snake is staring at us. And then, one genius decided now would be the perfect time to get an Instagram picture. And I don't know
if it was the camera, the sound, or the flash. All I heard was "click," and the snake jumped
up and was like, "hiss." And we were all like...
"Arghhhh." And then it was chaos. Pandemonium ensued. Now don't forget,
I was at the back. So I just jumped. I was like, "Ha-ha,
being black saved me!"
09:30 - 10:00 I was out. Panic ensued. Everyone jumps up,
people are trying to scramble like trampling
over each other. The French guy was my
favorite, because he jumps up, and he was like,
"Sacre bleu!" Le serpent, le serpent! "Allez, Jean-Pierre, allez." And he's pushing the
people and running. "Allez! Jean-Pierre.
Jean-Pierre." And when he turns, his son hasn't moved, right? So little Jean-Pierre is planted to the spot,
terrified. And you see his face,
he's like, "Papa! Papa! Papa!"
10:00 - 10:30 He was like, "Jean-Pierre! Allez Jean-Pierre.
Allez mon ami." Papa! Papa! And so the dad
realizes he's got to go back in and save
his kid. Right? But now this is one of
those moments where I think you can see the
fundamental difference between mothers and
fathers. Right? Because a mother, a mother would run in without thinking, and she would be like,
"I will die for my child. Strike me now, snake." Right, that's moms. Dads will save their
kid, but in the back of their head,
you know the dad is thinking, "You know I'm going
to save my kid.
10:30 - 11:00 But I don't want to die. I mean-- I don't want to die because this dumb ass didn't know to run when his dad was running. I mean, there's a snake
and I start running, why wouldn't you run
at the same time? Now I've got to die for your dumb ass, which
makes no sense, because I can make
another one of you, you can't make
another one of me. I should just make
you a brother and we can mourn
your dumb ass death together. I don't even know why
we're doing this right now." I think that's what the dad
was thinking. Right? Because he didn't
fully commit. Instead, he tried to sneak
in behind his kid.
11:30 - 12:00 Papa! And I don't speak French, but I know this kid was like,
"You asshole, you left me. I'm going to tell Mom." And so I'm, I'm staring at them, and I guess they could
feel that I was staring. So they, they both
stopped at the same time. And they turned and looked
at me and I looked at them. And in that moment, in that moment I realized
12:00 - 12:30 we're all human beings. We all experienced the
same thing, we went through the
same trauma. No matter what happened
to us before, we are all human beings. Because they looked at me, and I could see in their eyes what they'd just experienced,
what I experienced. And in that pause I bent down, and I got real close to them and I was like, "Snake."